Fabrice Knecht Tango DJ

El marne

El marne is a Tango written by Eduardo Arolas and recorded by Juan D’Arienzo in 1950. Juan D’Arienzo has recorded El marne as an instrumental Tango.
The piece “El Marne,” meaning “The Marne” in English, evokes the swirling currents of a river steeped in history and emotion. This tango captures the turbulent dance of memories and whispers of battles long past. Through its haunting melodies, it invites listeners to drift along the flow of time, where love and loss intertwine like leaves upon the water.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1950/12/28

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Domingo Federico – Yo – 1945/4/20
Domingo Federico – A Martín Fierro – 1945/2/22
Domingo Federico – Para usted amigo – 1948/9/30
Domingo Federico – La culpa es tuya – 1965/1/1
Domingo Federico – Yuyo verde – 1944/9/12
Adolfo Carabelli – El trece – 1932/9/27
Adolfo Carabelli – El aeroplano – 1927/11/2
Adolfo Carabelli – Mentira – 1931/10/2
Adolfo Carabelli – El puñal sevillano – 1932/5/24
Adolfo Carabelli – Desconfianza – 1932/5/6
Alfredo Gobbi – Porque soy reo – 1949/10/13
Alfredo Gobbi – Tu amargura – 1949/7/25
Alfredo Gobbi – Canzoneta – 1954/6/22
Alfredo Gobbi – Tu angustia y mi dolor – 1953/4/28
Alfredo Gobbi – Reflexionemos – 1957/10/8
Cuarteto Aníbal TROILO – La trampera – 1969/7/30
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Cuarteto Aníbal TROILO – La cumparsita – 1968/9/11
Cuarteto Aníbal TROILO – Milonguero triste – 1969/7/30
Cuarteto Aníbal TROILO – Pablo – 1968/8/5

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1950/12/28 – No va mas – Juan D-Arienzo
1950/12/28 – La bicoca – Juan D-Arienzo
1950/12/28 – Don Juan – Juan D-Arienzo
1950/12/27 – A puno limpio – Juan D-Arienzo
1950/12/27 – Desencanto (2) – Juan D-Arienzo
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Juan D’Arienzo

El marne is an instrumental Tango composed by Eduardo Arolas.

Interpretation of El marne

As an instrumental tango piece, “El marne” brings to life a vivid dance of emotions, weaving together the exhilarating spirit of early 20th-century Buenos Aires. The piece invites listeners on an evocative journey, capturing the nostalgia and intensity of tango. The title “El marne” can be translated to “The Marne,” potentially referring to historical events or locations around the Marne River in France known for its significance in World War I, which could imbue the piece with poignant historical echoes and a sense of dramatic storytelling through its melody.

Juan D’Arienzo and El marne

Renowned as “El Rey del Compás” (The King of Rhythm), Juan D’Arienzo’s interpretation of “El marne” is a dynamic celebration of rhythm and vitality. Known for revitalizing the lively energy of tango, D’Arienzo’s orchestra accentuates the pulsating beats and intricate melodies of Arolas’ composition. With his emphatic use of rhythmic precision, D’Arienzo transforms “El marne” into an electrifying performance, capturing the very essence of tango with every distinct note and compelling cadence.