Fabrice Knecht Tango DJ

El marne

El marne is a Tango written by Eduardo Arolas and recorded by Osmar Maderna in 1947. Osmar Maderna has recorded El marne as an instrumental Tango.
“El Marne,” translated into English as “The Marne,” echoes with the essence of historical currents and emotional tides. This piece of music captures the spirit of a river pivotal in the annals of history, where battles were fought and destinies altered. It flows with a tango’s intensity, as life’s ebb and flow waltz across time’s intricate dance floor.

Tango

Style

Osmar Maderna

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1947/9/18

Date

Instrumental
Instrumental
Osmar Maderna
Osmar Maderna

Discover Other Orchestras

Astor Piazzolla – Pigmalion – 1947/1/27
Astor Piazzolla – Garúa – 1982/5/30
Astor Piazzolla – Contrabajissimo – 1986/1/1
Astor Piazzolla – Adiós Nonino – 1961/1/28
Astor Piazzolla – De mi bandoneon – 1947/6/23
Julio De Caro – Potpourri de tangos (Sólo de cuatro bandoneones) – 1935/7/18
Julio De Caro – Sorpresa de novia – 1943/10/26
Julio De Caro – Buen amigo – 1950/12/18
Julio De Caro – Vieja escuela de mi barrio – 1931/1/1
Julio De Caro – Fuego – 1938/3/10
Héctor Varela – Como tu cariño – 1954/11/25
Héctor Varela – Y no me digas no – 1957/7/2
Héctor Varela – Que sigan charlando – 1952/12/19
Héctor Varela – Del salón en el ángulo oscuro – 1973/1/1
Héctor Varela – Don Orlando – 1952/6/13
Pedro Laurenz – Orgullo criollo – 1968/12/1
Pedro Laurenz – Pato – 1926/11/24
Pedro Laurenz – Quejas de bandoneón – 1952/6/25
Pedro Laurenz – Milonga de mis amores – 1968/12/1
Pedro Laurenz – Piedad – 1946/9/30

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1947/9/18 – Se perdio el amor – Osmar Maderna
1947/9/17 – Muchachita del recuerdo – Juan D-Arienzo
1947/9/17 – Dios te salve m-hijo – Juan D-Arienzo
1947/9/23 – Margot – Rodolfo Biagi
1947/9/23 – Y dicen que no te quiero – Rodolfo Biagi
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Osmar Maderna


El marne is an instrumental Tango composed by Eduardo Arolas.



Interpretation of El marne


“El marne,” translating to “The Marne” in English, draws inspiration from the historical Battle of the Marne during World War I. This instrumental Tango captures the tension and drama of the era. Through vibrant melodies and dramatic crescendos, it narrates a story of conflict and hope. The music conveys the emotions of anticipation, the clash of forces, and eventual resolution, inviting listeners to experience the intensity and depth of the past through its evocative notes.



Osmar Maderna and El marne


Osmar Maderna, known for his distinctive orchestral style, interprets “El marne” with elegance and precision. The arrangement by his orchestra emphasizes rich harmonies and dynamic shifts, breathing new life into this classic Tango. Maderna’s interpretation highlights the emotional core of the piece, capturing its essence while adding layers of sophistication and nostalgia, inviting a contemporary audience to connect with the historical allusions embedded within the music.