Fabrice Knecht Tango DJ

El marne

El marne is a Tango written by Eduardo Arolas and recorded by Horacio Salgán in 1953. Horacio Salgán has recorded El marne as an instrumental Tango.
The name “El Marne” translates to “The Marne” in English. This title evokes the river that flows gently yet powerfully through France, intertwining the echoes of history and tales of resilience. In its notes, one can hear the dance of time, where each rhythm reflects the pulse of heritage, memory, and enduring spirit.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1953/9/2

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

Discover Other Orchestras

Anibal Troilo – Volver – 1970/8/13
Anibal Troilo – El motivo (Pobre paica) – 1970/8/13
Cuarteto Típico Roberto Firpo – De mi arrabal – 1949/5/18
Cuarteto Típico Roberto Firpo – Milonga del 38 – 1938/5/23
Cuarteto Típico Roberto Firpo – Gran muñeca – 1941/1/8
Cuarteto Típico Roberto Firpo – Sentimiento criollo – 1939/3/31
Cuarteto Típico Roberto Firpo – Felicia – 1937/4/20
Horacio Salgán – Un cielo para los dos – 1956/1/1
Horacio Salgán – Gallo ciego – 1950/12/29
Horacio Salgán – Alma de loca – 1952/5/30
Horacio Salgán – Sus ojos se cerraron
Los despojos – 1965/1/1
Horacio Salgán – La tablada – 1951/12/7
Enrique Rodríguez – Diarios
revistas… señor – 1942/9/11
Enrique Rodríguez – La noche se va – 1967/7/25
Enrique Rodríguez – Jarangon – 1939/2/24
Enrique Rodríguez – A la huacachina – 1938/6/27
Enrique Rodríguez – Te quiero más – 1955/3/11

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1953/9/2 – Don Goyo – Horacio Salgan
1953/9/2 – Doble castigo – Horacio Salgan
1953/9/2 – Siga el corso – Horacio Salgan
1953/9/3 – El cocherito – Angel d-Agostino
1953/9/3 – Muchacho – Angel d-Agostino
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Horacio Salgán


El marne is an instrumental Tango composed by Eduardo Arolas.



Interpretation of El marne

“El marne” as an instrumental piece transports listeners to the vibrant, nostalgic streets of early 20th-century Buenos Aires. The composition evokes the drama and passion inherent in tango music, with a blend of intricate rhythms and melodious harmonies that guide the listener through a dance of emotions. In this context, “El marne” might metaphorically refer to a pivotal, transformative period or a strong emotional current, much like the river it is named after.



Horacio Salgán and El marne

Horacio Salgán’s orchestra breathes life into “El marne” with its signature sound, characterized by dynamic arrangements and deep emotional expression. Salgán’s interpretation highlights the drama and complexity of Arolas’s composition, enhancing its intensity with nuanced phrasing and a poignant, almost conversational interplay between instruments. His rendition stands as a testament to the timelessness of tango and its ability to convey the profound depths of human experience.