Fabrice Knecht Tango DJ

El marne

El marne is a Tango written by Eduardo Arolas and recorded by Aníbal Troilo in 1967. Aníbal Troilo has recorded El marne as an instrumental Tango.
The name “El Marne” translates to “The Marne” in English. This evocative title refers to the river in France, a symbol of historical battles and relentless flow, weaving echoes of resilience and memory. Through its melodies, the piece captures the essence of life’s enduring journey, where grace and strength dance harmoniously together in time’s embrace.

Tango

Style

Aníbal Troilo

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1967/11/29

Date

Instrumental
Instrumental
Aníbal Troilo
Aníbal Troilo

Discover Other Orchestras

Julio De Caro – Allá en el bajo – 1926/6/16
Julio De Caro – Tierra negra – 1940/1/1
Julio De Caro – Noche estrellada – 1936/12/13
Julio De Caro – Copacabana (Nido de amor) – 1941/1/1
Julio De Caro – Copacabana (Nido de amor) – 1949/7/26
Enrique Francini – Las rosas de mi madre – 1956/1/19
Enrique Francini – Tema otoñal – 1970/5/20
Enrique Francini – Danzarín – 1959/6/12
Enrique Francini – Melodía oriental – 1970/8/26
Enrique Francini – Muriéndome de amor – 1956/11/14
Carlos di Sarli – Viviani – 1940/12/11
Carlos di Sarli – Quejas de bandoneón – 1953/10/30
Carlos di Sarli – Zorro plateao – 1943/6/14
Carlos di Sarli – El calabozo – 1929/10/9
Carlos di Sarli – Siete palabras – 1952/7/22
Rodolfo Biagi – Sueño de juventud – 1944/4/11
Rodolfo Biagi – Racing Club – 1950/9/13
Rodolfo Biagi – Didí – 1941/10/21
Rodolfo Biagi – Serenata campera – 1950/9/13
Rodolfo Biagi – Tu voz – 1944/5/9

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1967/11/29 – De puro guapo – Anibal Troilo
1967/11/28 – La mariposa – Juan D-Arienzo
1967/11/28 – Portero suba y diga – Juan D-Arienzo
1967/11/28 – C.T.V. – Juan D-Arienzo
1967/11/28 – Canaro en Paris – Juan D-Arienzo
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Aníbal Troilo

El marne is an instrumental Tango composed by Eduardo Arolas.

Interpretation of El marne

The name “El marne” translates to “The Marne” in English, likely referencing the Marne River in France, known for historic battles during World War I. This tango, composed by Eduardo Arolas, might capture the emotional battle or the turbulent waters, symbolizing conflict, nostalgia, and triumph. The orchestral arrangement weaves through melodic phrases that echo the tenacity and resilience symbolized by the Marne River, with fluid melodies that rise and fall like waves, drawing listeners into a dance between melancholy and hope.

Aníbal Troilo and El marne

Under the direction of Aníbal Troilo, “El marne” is performed with a blend of vigor and finesse, typical of Troilo’s orchestra. The bandoneón, in particular, adds a poignant depth to the composition, bringing Arolas’ vision to life. The interplay between instruments mirrors the push and pull of historical tides, while the rhythmic structure underscores the essence of tango – at once intimate and grand, personal yet universal.