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En la buena y en la mala

En la buena y en la mala is a Tango written by Enrique Rodríguez and recorded by Domingo Federico in 1953. The Tango En la buena y en la mala is written by Enrique Rodríguez, Domingo Federico has recorded En la buena y en la mala with the singer Armando Moreno.
“En la buena y en la mala,” in English, translates to “In Good Times and Bad.” This piece, be it an evocative Tango or a poignant ballad, captures the essence of unwavering loyalty and enduring companionship. It speaks to the resilience of the human spirit, celebrating the commitment to stand by one another through life’s joyful moments and its toughest challenges alike.

Tango

Style

Domingo Federico

Orchestra

Armando Moreno

Singer

Enrique Cadícamo

Author

Enrique Rodríguez

Composer

1953/5/27

Date

Armando Moreno
Armando Moreno
Domingo Federico
Domingo Federico

Discover Other Orchestras

Florindo Sassone – Lágrimas – 1962/9/21
Florindo Sassone – Sueño (Le tango du rêve) – 1974/1/1
Florindo Sassone – Papas calientes – 1974/1/1
Florindo Sassone – Malevaje – 1962/9/10
Florindo Sassone – Coqueteando por la ribera – 1963/1/25
Alfredo Gobbi – Tu angustia y mi dolor – 1953/4/28
Alfredo Gobbi – Tropa – 1950/10/31
Alfredo Gobbi – El hijo cruel – 1954/12/31
Alfredo Gobbi – As de cartón – 1953/4/28
Alfredo Gobbi – Lágrimas y sonrisas – 1954/12/14
Francisco Canaro – Les garçonnes – 1925/1/1
Francisco Canaro – Calavera viejo – 1926/11/18
Francisco Canaro – Corazón de madre – 1926/12/1
Francisco Canaro – Hopa Hopa – 1925/1/1
Francisco Canaro – La tristeza del bulín – 1926/1/1
Roberto Firpo – Dicen que dicen – 1930/5/22
Roberto Firpo – En plena mar – 1932/4/7
Roberto Firpo – Puente viejo – 1935/3/22
Roberto Firpo – De todo te olvidas (Cabeza de novia) – 1929/10/20
Roberto Firpo – A mi madre – 1928/5/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

En la buena y en la mala recorded by other Orchestras

En la buena y en la mala recorded by other Orchestras

1953/5/27 – Tonadita amiga – Domingo Federico
1953/5/28 – Caminito soleado – Osvaldo Pugliese
1953/5/28 – Chique – Osvaldo Pugliese
1953/5/20 – De pura cepa – Osvaldo Fresedo
1953/5/20 – El once (A divertirse) – Osvaldo Fresedo
En la buena y en la mala – 1940/6/4 – Enrique Rodriguez – Armando Moreno
En la buena y en la mala – 1953/5/27 – Domingo Federico – Armando Moreno

Lyrics Translation of the Tango En la buena y en la mala

This is the translation of the Tango “En la buena y en la mala” from Spanish to English. The English lyrics of the Tango “En la buena y en la mala” have been done with AI.

Letra del Tango En la buena y en la mala

En la buena te encontré

En la mala te perdí…

Fue tu amor, luz de bengala

De azul y breves galas.

Mi cartera fue el imán que a tu ambición

Le hizo hacer un simulacro de pasión,

Vampiresa de mis noches de champán

Nunca te olvides de que:

En la buena te encontré

En la mala te perdí,

Y jamás un mal recuerdo

Tendrás de mí…



Cayó el telón… sobre tu simulación

Difunto ayer… de mentira y placer,

Te di esplendor… mis billetes y mi amor

Fui, sin querer… un juguete, mujer.

Y porque fui pa´ vos

Un hombre bueno, sí,

Hoy sin preocupación

Puedo decir:

Que en la buena te encontré

Y en la mala te perdí…

Fue tan blanca mi inocencia

Y negra tu inconsciencia…

Te escapaste de mi lado sin saber

Que en el fondo de mi pecho había un querer…

Y hoy, te juro, siento ganas de llorar

Porque me duele pensar:

Que en la buena te encontré

Y en la mala te perdí,

Y al final me siento solo

Lejos de ti.



Coda:

Que en la buena te encontré

Y en la mala te perdí

Y al final me siento solo

Lejos de ti…

English lyrics of the Tango "En la buena y en la mala"

I found you when times were good

I lost you when they turned bad…

Your love was a flare light

Of blue and brief showcases.

My wallet was the magnet to your ambition

That made you feign a passion,

Vampire of my champagne nights

Never forget that:

I found you when times were good

I lost you when they turned bad,

And you’ll never have a bad memory

Of me…



The curtain fell… on your act

Dead yesterday… of lies and pleasure,

I gave you splendor… my bills and my love

Unwittingly, I was… just a plaything, woman.

And because I was for you

A good man, indeed,

Today, without a worry

I can say:

That I found you when times were good

And I lost you when they turned bad…

So white was my innocence

And black your recklessness…

You slipped away from my side not knowing

That deep in my chest there was a love…

And today, I swear, I feel like crying

Because it hurts to think:

That I found you when times were good

And I lost you when they turned bad,

And in the end, I feel alone

Far from you.



Coda:

That I found you when times were good

And I lost you when they turned bad

And in the end, I feel alone

Far from you…

En la buena y en la mala by Enrique Cadícamo

En la buena y en la mala is a Tango written by Enrique Cadícamo and composed by Enrique Rodríguez.



Story behind the Tango En la buena y en la mala

The lyrics of “En la buena y en la mala” depict a poignant tale of love, loss, and realization. The narrator reflects on a relationship that thrived in times of prosperity (“En la buena te encontré”) but faltered during adversity (“En la mala te perdí”). The repeated lines emphasize the stark contrast between the narrator’s experiences during these phases. Cadícamo uses personal anecdotes to portray a deep emotional journey, revealing the transient and opportunistic love he received from his partner, which was contingent on his financial status.



Symbolism of En la buena y en la mala

The tango abounds with symbolic imagery that enhances its emotional depth. The reference to the lover as a “Vampiresa de mis noches de champán” symbolizes her predatory and superficial nature, only present during celebratory, affluent times. The “luz de bengala” (flare light) is equally symbolic, suggesting a brilliant yet fleeting illumination, mirroring the temporary and deceptive glow of the love received. Such symbolism poignantly underscores the theme of transient loyalty contingent on material wealth.



En la buena y en la mala in historic Context

Recorded in Argentina in 1953, “En la buena y en la mala” reflects a society emerging from the economic and social challenges post-World War II. This era saw shifts in social relationships and financial instability, which could influence personal relationships and social interactions. The lyrics can be seen as a critique of people choosing relationships based on economic benefit rather than genuine emotional bonds, reflecting broader societal concerns of the time. The tango, with its roots deeply embedded in Argentine culture, serves as a poignant medium for expressing these complex emotional and social dynamics.



Enrique Cadícamo

Enrique Cadícamo was a prominent Argentine poet and tango lyricist, known for his profound and evocative lyrics that have resonated deeply within the tango community.