Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Coqueteando por la ribera is a Tango written by Yaraví and composed by Florindo Sassone.
The lyrics of “Coqueteando por la ribera” tell a story of a poignant encounter and its lasting impact on the narrator’s life. The song begins with a fond recollection of a first meeting during an evening stroll by the riverbanks. The vivid imagery of the partner’s smile and flirtatious demeanor sets a playful and intimate tone. As they walk, the delicacy of the partner’s movements is likened to a reed swaying gently on the sidewalk, introducing a delicate, almost fragile quality to their presence.
The narrative progresses as the speaker shares heartfelt words, spontaneously expressed from deep affection and passion stirred by the partner’s enchanting image. The romantic scene is further enhanced by the sound of a tango coming from the river, played on a bandoneón, which accompanies their first kiss. This moment captures the essence of romantic connection, underscored by the cultural soundscape of Argentine Tango.
As time moves forward, the lyrics reflect on how the partner has become an inseparable part of the narrator’s life, with an emotive journey back to those riverbank streets. The repetition of the initial description in the final verses reaffirms the unchanged and enduring love, suggesting a timeless bond that is as soft and delicate yet enduring as it was at first.
In “Coqueteando por la ribera,” riverside and walking symbolize the passage and progression of time as well as the flow of life and love. Comparing the partner’s gait to a “junco en la acera” (a reed on the sidewalk) denotes flexibility, resilience, and a natural elegance. It suggests how the beloved is both affected by and affecting their surroundings gently but unmistakably.
The river, often a symbol of life’s continuum and depth, parallel’s the narrator’s emotions, which are deep and enduring. The bandoneón’s tango music emitting from the river encapsulates the cultural heart of Argentina, infusing the scene with authenticity and emotive depth, tying the characters’ personal love story to their cultural heritage.
Released in 1963, “Coqueteando por la ribera” emerges during a politically and socially charged era in Argentina. The 60s were a time of significant cultural expression and change, which deeply influenced artistic outputs, including tango. During this period, Tango music was a poignant expression of Argentine identity and emotional landscape. The use of traditional tango elements like the bandoneón in the song anchors it in Argentine cultural history, resonating with a nostalgic yearning for simpler, more passionate times amidst the contemporary upheaval.
Yaraví was a notable Argentine poet and lyricist. His contributions to Tango lyrics are celebrated for their emotional depth and vivid imagery.