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Siga el corso

Siga el corso is a Tango written by Anselmo Aieta and recorded by Horacio Salgán in 1962. The Tango Siga el corso is written by Anselmo Aieta, Horacio Salgán has recorded Siga el corso with the singer Edmundo Rivero.
“Siga el corso,” translated to English as “Follow the Parade,” is a lively invitation to join the rhythmic procession of life. This piece captures the essence of spirited celebrations, where every note echoes the joy and spontaneity of a lively carnival. Embracing its infectious melody, it beckons us to dance along, immersing ourselves in the vibrant dance of the world.

Tango

Style

Horacio Salgán

Orchestra

Edmundo Rivero

Singer

Francisco García Jiménez

Author

Anselmo Aieta

Composer

1962/1/1

Date

Edmundo Rivero
Edmundo Rivero
Horacio Salgán
Horacio Salgán

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Siga el corso recorded by other Orchestras

Siga el corso recorded by other Orchestras

Lyrics Translation of the Tango Siga el corso

This is the translation of the Tango “Siga el corso” from Spanish to English. The English lyrics of the Tango “Siga el corso” have been done with AI.

Letra del Tango Siga el corso

Esa Colombina

puso en sus ojeras

humo de la hoguera

de su corazón…

Aquella marquesa

de la risa loca

se pintó la boca

por besar a un clown.

Cruza del palco hasta el coche

la serpentina

nerviosa y fina;

como un pintoresco broche

sobre la noche

del Carnaval.



Decime quién sos vos,

decime dónde vas,

alegre mascarita

que me gritas al pasar:

‘-¿Qué hacés? ¿Me conocés?

Adiós… Adiós… Adiós…

¡Yo soy la misteriosa

mujercita que buscás!’

-¡Sacate el antifaz!

¡Te quiero conocer!

Tus ojos, por el corso,

va buscando mi ansiedad.

¡Tu risa me hace mal!

Mostrate como sos.

¡Detrás de tus desvíos

todo el año es Carnaval!



Con sonora burla

truena la corneta

de una pizpireta

dama de organdí.

Y entre grito y risa,

linda maragata,

jura que la mata

la pasión por mí.

Bajo los chuscos carteles

pasan los fieles

del dios jocundo

y le va prendiendo al mundo

sus cascabeles el Carnaval.

English lyrics of the Tango "Siga el corso"

That Columbine

placed under her dark circles

smoke from the bonfire

of her heart…

That marquise

with the crazy laughter

painted her lips

to kiss a clown.

From the box to the coach crosses

the streamer,

nervous and fine;

like a picturesque brooch

over the night

of the Carnival.

Tell me who you are,
tell me where you’re going,
cheerful little mask
who yells at me as you pass:
‘-What are you doing? Do you know me?
Goodbye… Goodbye… Goodbye…
I am the mysterious
little woman you’re looking for!’
-Take off your mask!
I want to know you!
Your eyes, through the parade,
are searched by my eagerness.
Your laughter hurts me!
Show yourself as you are.
Behind your detours
the whole year is Carnival!

With loud mockery
the horn of a
pert lady in organdy blares.
And among screams and laughter,
beautiful Maragata,
swears that she is killed
by the passion for me.
Under the humorous posters
pass the faithful
of the merry god
and Carnival hangs its bells
on the world.

Siga el corso by Francisco García Jiménez

Siga el corso is a Tango written by Francisco García Jiménez and composed by Anselmo Aieta.



Story behind the Tango Siga el corso

The lyrics of “Siga el corso” paint a vivid picture of a dynamic Carnival scene, filled with masked figures, laughter, and clandestine encounters. The song tells the story of mysterious interactions among masked participants during the festive carnival season, highlighting the themes of disguise, revelry, and hidden desires. The narrative elegantly unfolds through conversations and observations made by the protagonist, who is both a part of and apart from the festivities.



Symbolism of Siga el corso

Symbolism in “Siga el corso” revolves largely around masks and masquerade, reflecting the broader themes of identity and perception. Phrases such as “¡Sacate el antifaz!” (Take off your mask!) implore characters to reveal their true selves. This dialogue underscores the transient nature of identity during Carnival, where the usual societal norms are upended. The constant refrain “todo el año es Carnaval” (all year is Carnival) suggests that life itself is a perpetual masquerade, where people continuously hide their true emotions and intentions.



Siga el corso in historic Context

Written in 1962 Argentina, “Siga el corso” needs to be understood within the political and social context of the time. The early 60s were a period of considerable unrest and shifting power dynamics in Argentina, a backdrop that could lend a deeper layer of meaning to the lyrics about hidden truths and public facades. Carnivals have historically been events where societal roles are temporarily suspended, allowing for uninhibited expression. This setting could symbolically reflect the yearning for freedom and authenticity in an era characterized by political suppression and social conformity.



Francisco García Jiménez

Francisco García Jiménez was a prominent Argentine poet and lyricist known for his significant contributions to the Tango genre.