Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Soy bailarín is a Tango written by Avlis (Erasmo Silva Cabrera) and composed by Julio De Caro.
The lyrics of “Soy bailarín” reflect the life and philosophy of a dedicated dancer who immerses himself in the art of tango. The dancer described in the song is often seen in local dance halls, seen by his peers as wasting time since he is not pursuing romantic relationships. Instead, he is devoted to perfecting his steps and expressions through the dance, suggesting a pure passion for the art rather than the social opportunities it might offer.
The tango uses the act of dancing as a metaphor for living authentically and passionately according to one’s own rules. The key phrase “soy bailarín, cien por cien” which translates to “I am a dancer, one hundred percent,” emphasizes the protagonist’s total commitment to his craft, symbolizing a broader theme of dedication and identity. This could also reflect the cultural importance of tango in Argentina, where it is not only a dance but a deep cultural identity. The contrasts between the expectations of his peers and his own choices highlight individuality and personal conviction.
The tango “Soy bailarín” was recorded in 1950, a period when Buenos Aires was a thriving hub for tango culture. During these years, tango was not only a form of entertainment but also a reflection of social and cultural dynamics within Argentina. The lyrics, set against the backdrop of post-World War II Argentina, when traditional roles and expectations were often questioned, may subtly critique societal norms about leisure and love while advocating for personal authenticity and passion.
Avlis, birth name Erasmo Silva Cabrera, was an influential figure in the Argentinian tango scene, known for both his lyrical prowess and connection to the cultural essence of tango.