Gigolo by Alberto De Caro, Emilio De Caro

Gigolo is a Tango written by Alberto De Caro, Emilio De Caro and composed by Emilio De Caro.

Story behind the Tango Gigolo

“Gigolo” captures the essence of a woman seeking a detachment from a painful past relationship, turning to a lifestyle centered around leisure and dance to heal. The lyrics vividly illustrate her desire for a partner, specifically a gigolo, who embodies sophistication and the ability to dance the Charleston, a popular dance of the era. The repeated sentiment that it’s not worth remembering someone who treated her poorly underscores a theme of moving forward and finding joy post-heartbreak.

Symbolism of Gigolo

The term “gigolo” in the tango refers to more than just a dance partner; it stands as a symbol of temporary, superficial comfort and the pursuit of distraction from emotional pain. The repetitious lines about deception and mistrust highlight a deep skepticism in romantic declarations, portraying them as fleeting and often dishonest. The protagonist advises against deep emotional investment with phrases like “no tener metejón” (not having a crush) and “ni tener compasión” (nor having pity), advocating for emotional self-preservation.

Gigolo in historic Context

Composed in 1927, “Gigolo” reflects a period in Argentina characterized by significant urbanization and cultural transformation, influenced strongly by American and European trends. This era saw the Charleston becoming a symbol of modernity and the liberation of traditional values concerning relationships and gender roles. The tango itself, emerging from the lower classes of Buenos Aires, had become a powerful medium for expressing the complexities of everyday life, navigating themes of love, betrayal, and survival in a rapidly changing society.

Alberto De Caro, Emilio De Caro

Alberto De Caro and Emilio De Caro were significant figures in the early tango scene, contributing to the rich tapestry of music that encapsulates Argentine cultural identity.