Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La novena is a Tango written by Alfredo Bigeschi and composed by Miguel Bonano.
“La Novena” captures the soul of a city wrapped in the shadows of evening, oscillating between sorrow and joy. The central narrative revolves around a religious devotion, marked by the sounding of church bells calling for the “Novena” – a form of worship consisting of prayers recited over nine days. This setting is a poignant backdrop for the deeper tale of a mother mourning her son, a soldier lost to war, whose sacrifices are both honored and lamented in her private, tearful prayers.
The bells in “La Novena” serve as a divine summons, symbolizing a communal call to reflection and prayer, which contrasts with the individual suffering of the mother. Her tears and the rosary beads she counts symbolically intertwine her personal sorrow with her faith. The recurring imagery of rosary beads, which represent prayers for the dead and memories of the lost, poignantly underscores the theme of remembrance and loss. Furthermore, the phrase “abrazado a su bandera” symbolizes ultimate sacrifice and patriotic fervor, emphasizing the cultural honor placed on duty and nationalism.
Released in 1939, during a time when the world was on the cusp of the Second World War, “La Novena” deeply resonates with themes of loss and patriotism. Argentina, though not a belligerent in the early years of the war, felt the global impacts culturally and emotionally. This tango, with its intimate portrayal of personal loss against the backdrop of national duty, would have struck a chord with an Argentine audience familiar with the sacrifices of war and the fervor of national pride.
Alfredo Bigeschi was an influential figure in the world of Tango, known for his deeply emotional and culturally resonant lyrics.