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Gallo ciego

Gallo ciego is a Tango written by Agustin Bardi and recorded by Horacio Salgán in 1950. Horacio Salgán has recorded Gallo ciego as an instrumental Tango.
“Gallo Ciego,” meaning “Blind Rooster” in English, captures the essence of navigating life’s unpredictable dance with grace and determination. The title evokes the image of an obstinate spirit, moving through shadows, guided by instinct rather than sight. It symbolizes the courage to face the unknown, trusting in the rhythm of one’s own heart to lead the way.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Author

Agustin Bardi

Composer

1950/12/29

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

Discover Other Orchestras

Enrique Francini – Elegante papirusa – 1956/7/27
Enrique Francini – Milonga con variación (Milonga con variaciones) – 1970/12/18
Enrique Francini – La trilla – 1955/11/3
Enrique Francini – Caminito – 1977/1/1
Enrique Francini – Mientras viva – 1957/9/18
Roberto Firpo – Senda florida – 1928/10/18
Roberto Firpo – La vuelta de Rocha – 1928/10/10
Roberto Firpo – Rezongos – 1927/3/10
Roberto Firpo – Gorjeos (Gorgeos) – 1927/7/23
Roberto Firpo – Sentimiento criollo – 1927/6/3
Francisco Canaro – Song of the vagabonds (La canción de los vagabundos) – 1926/1/1
Francisco Canaro – Qué dirá mamá – 1925/1/1
Francisco Canaro – El matrero (La carreta) – 1924/1/1
Francisco Canaro – Melodía de amor – 1924/1/1
Francisco Canaro – Caminito del taller – 1925/1/1
Orquesta Símbolo Osmar Maderna – Aquellas cartas – 1959/7/8
Orquesta Símbolo Osmar Maderna – No no llores más – 1959/6/17
Orquesta Símbolo Osmar Maderna – Canción de lluvia – 1959/7/8
Orquesta Símbolo Osmar Maderna – Merceditas – 1958/9/23
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Gallo ciego recorded by other Orchestras

Gallo ciego recorded by other Orchestras

1950/12/29 – Bien pulenta – Francisco Rotundo
1950/12/29 – Esclavas blancas – Francisco Rotundo
1950/12/29 – Don Agustin Bardi – Horacio Salgan
1950/12/28 – No va mas – Juan D-Arienzo
1950/12/28 – La bicoca – Juan D-Arienzo
Gallo ciego – 1937/12/9 – Juan D-Arienzo – Instrumental
Gallo ciego – 1969/9/18 – Juan D-Arienzo – Instrumental
Gallo ciego – 2015/1/1 – Juan D-Arienzo – Instrumental
Gallo ciego – 1959/7/23 – Osvaldo Pugliese – Instrumental
Gallo ciego – 1938/6/9 – Ricardo Tanturi – Instrumental
Gallo ciego – 1966/12/23 – Armando Pontier – Instrumental
Gallo ciego – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
Gallo ciego – 1965/1/1 – Horacio Salgan – Instrumental
Gallo ciego – 1950/12/29 – Horacio Salgan – Instrumental
Gallo ciego – 1927/9/13 – Julio De Caro – Instrumental

Gallo ciego recorded by Horacio Salgán


Gallo ciego is an instrumental Tango composed by Agustin Bardi.



Interpretation of Gallo ciego

“Gallo ciego,” which translates to “Blind Rooster” in English, is a vibrant and intense tango that evokes a myriad of emotions. The piece might symbolize the struggle and determination of moving forward without seeing the path clearly, much like a blind rooster navigating the farmyard. As an instrumental work, it paints an emotional landscape without words, relying on the music to convey a story of resilience, tension, and passion typically found in the tango form.



Horacio Salgán and Gallo ciego

The interpretation by Horacio Salgán’s orchestra enhances “Gallo ciego’s” dynamic composition with its exquisite arrangement and masterful execution. Salgán, known for his innovative approach to tango, brings out the intricate rhythms and melodies of Bardi’s work, painting a vivid auditory picture with rich textures and dramatic crescendos. His orchestra’s rendition captures the essence of both the ferocious energy and nuanced sensuality that the tango demands, making “Gallo ciego” a timeless piece in the repertoire of Argentinian tango music.