Andate con la otra by Enrique Dizeo

Andate con la otra is a Tango written by Enrique Dizeo and composed by Carlos Vicente Geroni Flores.

Story behind the Tango Andate con la otra

The lyrics of “Andate con la otra” convey a deep sense of resignation and sorrow. The speaker, presumably a woman, is addressing her partner who has fallen for another woman. Despite her pain, she maintains her dignity, inviting him to leave while reminiscing about the sacrifices she made for him. She acknowledges the end of their relationship, expressing a poignant blend of acceptance and heartache. In her farewell, she beseeches him to take his belongings but leave behind the photo of their child, connecting their shared past with a permanent, yet painful, bond.

Symbolism of Andate con la otra

The tango makes use of symbolic elements to amplify its emotional depth. The phrase “Andate con la otra” translates to “Go with the other,” emphasizing a choice made by her partner and the finality of this decision. The items she asks him to take symbolize their shared domestic life and her care for him, contrasting sharply with the emotional detachment needed to part ways. The retained “retratito del pibe” (little picture of the kid) symbolizes the enduring emotional connections and shared responsibilities that outlast their relationship.

Andate con la otra in historic Context

Recorded in 1928 in Argentina, “Andate con la otra” comes from a period when Tango was a profound medium for expressing the melodrama of everyday lives. Argentina in the late 1920s was a country of fluctuating fortunes, undergoing societal changes. The themes of love, betrayal, and suffering are universally relatable but are particularly poignant in the context of the Tango, a dance that reflects the complexities of human relationships and emotions.

Enrique Dizeo

Enrique Dizeo was a renowned Argentine lyricist known for his profound contributions to the world of Tango, with works that often delved into themes of love, betrayal, and social issues.