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A media luz

A media luz is a Tango written by Edgardo Donato and recorded by Roberto Firpo in 1934. The Tango A media luz is written by Edgardo Donato, Roberto Firpo has recorded A media luz with the singer Carlos Varela.
“A media luz” translates to “In Half-Light” in English. This tantalizing title evokes the ambiance of a dimly lit room where shadows dance and reality blurs with dreams. It suggests a world of mystery and intimacy, where emotions whisper beneath the soft glow, inviting us to lose ourselves in the seductive embrace of the music.

Tango

Style

Roberto Firpo

Orchestra

Carlos Varela

Singer

Carlos Lenzi

Author

Edgardo Donato

Composer

1934/10/19

Date

Carlos Varela
Carlos Varela
Roberto Firpo
Roberto Firpo

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A media luz recorded by other Orchestras

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Lyrics Translation of the Tango A media luz

This is the translation of the Tango “A media luz” from Spanish to English. The English lyrics of the Tango “A media luz” have been done with AI.

Letra del Tango A media luz

Corrientes 3, 4, 8,

segundo piso, ascensor.

No hay porteros ni vecinos.

Adentro, cocktail y amor.

Pisito que puso Maple:

piano, estera y velador,

un telefón que contesta,

una victrola que llora

viejos tangos de mi flor

y un gato de porcelana

pa’ que no maulle al amor.



Y todo a media luz,

que es un brujo el amor,

a media luz los besos,

a media luz los dos.

Y todo a media luz

crepúsculo interior.

¡Qué suave terciopelo

la media luz de amor!



Juncal 12, 24

Telefoneá sin temor.

De tarde, té con masitas;

de noche, tango y cantar.

Los domingos, tés danzantes;

los lunes, desolación,

Hay de todo en la casita:

almohadones y divanes;

come en botica, cocó;

alfombras que no hacen ruido

y mesa puesta al amor.

English lyrics of the Tango "A media luz"

Corrientes 3, 4, 8,

second floor, elevator.

No doormen or neighbors.

Inside, cocktails and love.

A small apartment furnished by Maple:

piano, rug, and a night lamp,

a phone that answers,

a phonograph that weeps

old tangos of my flower

and a porcelain cat

so it won’t howl at love.



And all in dim light,

for love is a sorcerer,

in dim light the kisses,

in dim light the two of us.

And all in dim light,

an inner twilight.

Such soft velvet

the dim light of love!



Juncal 12, 24

Call without fear.

In the afternoon, tea with cookies;

at night, tango and song.

Sundays, tea dances;

Mondays, desolation,

There’s everything in the little house:

cushions and couches;

eat from the pharmacy, cocoon;

carpets that make no noise

and a table set for love.

A media luz by Carlos Lenzi

A media luz is a Tango written by Carlos Lenzi and composed by Edgardo Donato.



Story behind the Tango A media luz

“A media luz” reveals a scene steeped in intimacy and secrecy, resonating with thethemes of love and seduction. The setting is an apartment, described with items like a piano, a velvet armchair, and a porcelain cat—elements that build a clandestine atmosphere. Lenzi sketches a portrait of a space where love unfolds away from prying eyes, with lyrics suggesting a blend of sophistication and simplicity that cater to private romantic escapades.



Symbolism of A media luz

The phrase “a media luz,” which translates to “in half-light” or “dim light,” symbolizes an atmosphere of mystery and intimacy. Dim lighting softens the harshness of reality, creating an ideal ambiance for romance. The recurring reference to dim light parallels with how love is often perceived—partially understood and always leaving room for more discovery. The porcelain cat, inert and perhaps guarding against any disruptions, symbolizes the preservation of privacy needed for uninterrupted love.



A media luz in historic Context

Set in 1934 Argentina, “A media luz” emerged during a period rich in tango history, where the genre was intertwined deeply with the Buenos Aires’ urban culture. The mention of specific street addresses like “Corrientes 3, 4, 8,” a central avenue in Buenos Aires known for its theaters, shops, and vibrant nightlife, roots the tango in a specific urban space known for its cultural significance. The lyrics reflect a socio-cultural context where tango was not just dance but a narrative medium expressing the city’s dynamic life – from its hedonistic nights to its days of loneliness.



Carlos Lenzi

Carlos Lenzi was a renowned lyricist known for his contributions to the tango genre, collaborating with prominent composers to create classics that resonate with Argentine cultural identity.