Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Volvé is a Tango written by Luis Bayón Herrera and composed by Edgardo Donato.
The lyrics of “Volvé” navigate the nuances of heartbreak and yearning after a deeply painful separation. At its core, the Tango delves into the emotional torment faced by the narrator after their loved one has departed, leaving a trail of desolation and despair. The repeated plea, “Volvé,” which translates to “Come back” in English, encapsulates the essence of this Tango— the intense longing and desperation for the return of the beloved, despite the trespasses and potential deceit that might come with such a reunion. The narrator is caught in a paradox of wanting back the very person who has inflicted great emotional pain, highlighting a profound dependency and lack of self-sufficiency without this loved one.
The use of vivid imagery and symbols throughout the Tango enhances its emotional depth. Phrases like “del cotorro ando tan triste” metaphorically represent the speaker’s gloomy, desolate life state, using ‘cotorro’ to denote both a physical living space and emotional confines. Crying ‘tears that clouded vision’ symbolizes not just the sorrow but also how pain can obscure one’s perspective on reality. The fundamental absence of ‘voluntad’ (will) illustrates a loss of personal drive and motivation, underscoring a profound emotional paralysis caused by the separation. The tango pivots around the emotional self-sacrifice willing to accept lies and deception in exchange for companionship, emphasizing the crippling fear of loneliness.
Recorded in 1955, “Volvé” was produced in post-Peronist Argentina, a period marked by political and social upheaval and the search for national identity. In this context, the themes of betrayal and the plea for return could parallel broader cultural sentiments of nostalgia and the longing for stability or return to ‘better times’ whether in personal relationships or societal conditions. The Tango, as a cultural artifact, thus resonately echoes the collective subconscious of Argentine society, dealing with loss and change, but also the enduring hope for restoration and reconciliation.
Luis Bayón Herrera was an influential figure in Argentine cinema and music, recognized for his contributions to Tango as well as for directing films. His artistic output frequently explored themes of love, societal expectations, and human emotions.