Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Te odio is a Tango written by Celedonio Flores and composed by Francisco Pracánico.
“Te odio” reflects an intense narrative of betrayal and subsequent loathing where the speaker once adored the subject, but now harbors deep hatred. The lyrics reveal a personal and devastating experience where trust and great love turned into a profound resentment. The transformation from love to hate is sudden and intense, stressing the emotional and irrational nature of human relationships. Central to the narrative is the shift caused by the other party’s deceit, leading to the speaker’s total disenchantment.
The lyrics of “Te odio” heavily use contrast as a form of symbolism, reinforcing the theme of betrayal. Phrases like “sin ley ni motivo, de golpe nació” hint at an affection that emerged spontaneously but also without reason—suggesting perhaps its fragile foundation. The terms “maldita” (accursed) and the repetition of “te odio” (I hate you) serve to powerfully convey the depth of betrayal felt. Moreover, the line “Dios quiera que un día volvieras a mí” (God willing that one day you would return to me) offers a nuanced symbol of hope and revenge; the hope for a return not for reconciliation, but for retribution.
Created in 1929 in Argentina, “Te odio” falls within the Golden Age of Tango, a time when this dance form closely narrated the social and cultural dynamics of early 20th-century Buenos Aires. It was a period marked by vast waves of immigration and the resultant societal shifts—themes often reflected in the melancholia inherent in tango lyrics. The mention of profound personal betrayal and societal oblivion reflect not just personal loss but also a metaphorical representation of greater cultural and economic disruptions of the time.
Celedonio Flores was a renowned Argentine poet and tanguero, celebrated for his contributions to the popular tango lyric genre in the early 20th century.