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Shusheta (El aristócrata)

Shusheta (El aristócrata) is a Tango written by Juan Carlos Cobián and recorded by Horacio Salgán in 1951. Horacio Salgán has recorded Shusheta (El aristócrata) as an instrumental Tango.
“Shusheta (El aristócrata)” translates to “Shusheta (The Aristocrat)” in English. The name evokes the image of a dapper gentleman, always impeccably dressed, gliding through life with an air of elegance and sophistication. As the tango unfolds, it paints a melody of opulence and pride, capturing the essence of a life devoted to maintaining an image of prestige and refinement.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Enrique Cadícamo

Author

Juan Carlos Cobián

Composer

1951/5/30

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

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Shusheta (El aristócrata) recorded by other Orchestras

Shusheta (El aristócrata) recorded by other Orchestras

Letra del Tango Shusheta (El aristócrata)

Toda la calle Florida lo vio

con sus polainas, galera y bastón…



Dicen que fue, allá por su juventud,

un gran Don Juan del Buenos Aires de ayer.

Engalanó la puerta del Jockey Club

y en el ojal siempre llevaba un clavel.



Toda la calle Florida lo vio

con sus polainas, galera y bastón.



Apellido distinguido,

gran señor en las reuniones,

por las damas suspiraba

y conquistaba

sus corazones.

Y en las tardes de Palermo

en su coche se paseaba

y en procura de un encuentro

iba el porteño

conquistador.



Ah, tiempos del Petit Salón…

Cuánta locura juvenil…

Ah, tiempo de la

sección Champán Tango

del ‘Armenonville’.



Todo pasó como un fugaz

instante lleno de emoción…

Hoy sólo quedan

recuerdos de tu corazón…



Toda la calle Florida lo vio

con sus polainas, galera y bastón.

English lyrics of the Tango "Shusheta (El aristócrata)"

The entire Florida Street saw him

with his gaiters, top hat, and cane…

They say that in his youth,

he was a great Don Juan of the Buenos Aires of yesteryear.

He adorned the door of the Jockey Club

and in his buttonhole, he always sported a carnation.

The entire Florida Street saw him

with his gaiters, top hat, and cane.

A distinguished surname,

a grand gentleman at gatherings,

he sighed for the ladies

and conquered

their hearts.

And in the afternoons at Palermo

in his carriage, he would ride

and in search of an encounter

went the Buenos Aires

conqueror.

Ah, times of the Petit Salón…

Such youthful madness…

Ah, the time of the

Champagne Tango section

of ‘Armenonville’.

Everything passed like a fleeting

moment full of emotion…

Today, only

memories from your heart remain…

The entire Florida Street saw him

with his gaiters, top hat, and cane.

Shusheta (El aristócrata) by Enrique Cadícamo

Shusheta (El aristócrata) is a Tango written by Enrique Cadícamo and composed by Juan Carlos Cobián.



Story behind the Tango Shusheta (El aristócrata)

This tango portrays the life and decay of a man of high society, once esteemed and recognized on Calle Florida, a bustling commercial street in Buenos Aires. The repeated mentions of the man’s attire symbolize his status, which remains constant in public perception despite his fading relevance. The reflective tone of the lyrics reveals a nostalgia for the past, recalling youthful endeavors and romantic conquests in iconic locations like the Jockey Club and Palermo, alongside the backdrop of Armenia’s social and cultural scene.



Symbolism of Shusheta (El aristócrata)

The symbols in “Shusheta (El aristócrata)” serve to juxtapose the protagonist’s grand past with his present decay. Objects like “polainas” (spats), “galera” (top hat), and “bastón” (cane) are repeatedly mentioned to emphasize the character’s aristocratic nature. The reference to “el ojal siempre llevaba un clavel” symbolizes the routine character of his flamboyancy—the carnation in his lapel, a mark of aristocratic frivolity. The lyrics also explore the transitional nature of time and society’s fleeting memory through the ephemeral environments of the Petit Salón and Champán Tango section at ‘Armenonville’.



Shusheta (El aristócrata) in historic Context

The setting of the tango song traces back to Buenos Aires in the early 20th century, a time of dramatic social transformations and economic fluctuations. The mention of specific locations like the Jockey Club and streets like Calle Florida contextualize the aristocratic milieu that the song depicts. The decline of the protagonist’s status reflects the broader societal shifts from the old-guard elite to a more modern, diverse urban culture emerging in Argentina after the 1950s. This song, recorded in 1951, serves as a reflective note on the impermanence of social status and the relentless passage of time.



Enrique Cadícamo

Enrique Cadícamo was a renowned Argentine tango lyricist whose works vividly depicted the urban landscape and changing times of Argentina.