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La canción del cabaret (Mala)

La canción del cabaret (Mala) is a Tango written by Roberto Firpo and recorded by Roberto Firpo in 1936. Roberto Firpo has recorded La canción del cabaret (Mala) as an instrumental Tango.
“La canción del cabaret (Mala)” translates to “The Song of the Cabaret (Bad)” in English. This title evokes a sultry, dimly-lit setting where tales of longing and lost love unfold in the shadows. The word “Mala” suggests a sense of mischief or a hint of danger, as passion and heartache dance seamlessly through the smoky air.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Mario Flores

Author

Roberto Firpo

Composer

1936/12/23

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

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Letra del Tango La canción del cabaret (Mala)

Mala; mala

para ti no hay perdón

fuiste mujer, conmigo, cruel

ya se que vendiste tu corazón

por gozar del lujo.

Mala; te perdió la ambición

de ser reina del cabaret.

Pero algún día,

tal vez extrañes

desengañada,

mi pobre amor



Contigo sueña mi loco afán,

no tengo joyas ni las tendré.

Pero, en cambio, te daré

un palacio de ilusión.



Cariños nunca te faltarán

y he de adorarte con frenesí,

si eso es poco para ti

te daré mi corazón.

English lyrics of the Tango "La canción del cabaret (Mala)"

Bad; bad

there is no forgiveness for you

you were a woman, with me, cruel

I know that you sold your heart

to enjoy luxury.

Bad; ambition lost you

to be the queen of the cabaret.

But someday,

maybe you’ll miss

disillusioned,

my poor love

My crazy desire dreams of you,

I have no jewels nor will I have them.

But, instead, I’ll give you

a palace of illusion.

Affection you will never lack

and I shall adore you with frenzy,

if that is too little for you

I will give you my heart.

La canción del cabaret (Mala) by Mario Flores

La canción del cabaret (Mala) is a Tango written by Mario Flores and composed by Roberto Firpo.



Story behind the Tango La canción del cabaret (Mala)

“La canción del cabaret (Mala)” translates to “The cabaret song (Bad)” in English, echoing a poignant narrative of lost love and moral judgment. The lyrics tell a story of a man lamenting over his lover who has given into the corrupting influence of ambition and luxury. The repeated label “Mala,” meaning “bad” or “wicked,” directly addresses the woman, indicting her decisions and the life path she has chosen. This theme of moral degradation tied to the cabaret setting reflects a common trope in tango music, where the cabaret often serves as a symbol of decline and moral decay.



Symbolism of La canción del cabaret (Mala)

The consistent use of “Mala” throughout the song is a powerful use of symbolism, underlining the woman’s descent into a life deemed dishonorable by her lover and, by extension, society. The cabaret, a place both of literal and metaphorical significance in tango, symbolizes a fall from grace—representing not just a physical location but a space of moral compromise. Phrases such as “fuiste mujer, conmigo, cruel” (you were cruel with me, woman) and “vendiste tu corazón” (you sold your heart) emphasize betrayal and the loss of personal integrity for material gain.



La canción del cabaret (Mala) in historic Context

This tango was created in 1936, a period when Argentina was experiencing significant social and economic changes. While Buenos Aires thrived as a cultural hub, the societal disparities were stark, and the cabaret became a symbol of both decadence and despair. The tango, evolving during this era, frequently reflected themes of disillusionment and nostalgia for simpler, more honest times. The lyrics of “La canción del cabaret (Mala)” resonate with this mood of critique against the backdrop of changing social mores and the often harsh realities of urban life.



Mario Flores

Mario Flores was an influential lyricist in the tango genre, noted for his ability to weave complex emotions into his storytelling.