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Don Juan

Don Juan is a Tango written by Ernesto Ponzio and recorded by Orquesta Típica Victor in 1932. The Tango Don Juan is written by Ernesto Ponzio, Orquesta Típica Victor has recorded Don Juan with the singer Alberto Gómez.
“Don Juan,” or “Don John” in English, evokes the timeless allure of a master of seduction and mystery. This piece of music, like the enigmatic figure himself, dances between passion and peril, mesmerizing all who dare to listen. The notes weave a tale of charm and adventure, leaving behind whispers of romance and intrigue in the air.

Tango

Style

Orquesta Típica Victor

Orchestra

Alberto Gómez

Singer

Ricardo Podesta

Author

Ernesto Ponzio

Composer

1932/2/4

Date

Alberto Gómez
Alberto Gómez
Orquesta Típica Victor
Orquesta Típica Victor

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Don Juan recorded by other Orchestras

Don Juan recorded by other Orchestras

Lyrics Translation of the Tango Don Juan

This is the translation of the Tango “Don Juan” from Spanish to English. The English lyrics of the Tango “Don Juan” have been done with AI.

Letra del Tango Don Juan

En el tango soy tan taura

que cuando hago un doble corte

corre la voz por el Norte,

si es que me encuentro en el Sud.

Y pa bailar la Yuyeta

si es que me visto a la moda

la gente me dice toda

Dios le dé, Dios le dé, vida y salud.



Calá, che, calá.

Siga el piano, che,

dése cuenta usted

y después dirá

si con este taita

podrán por el Norte

calá che, qué corte,

calá, che, calá.



No hay teatro que no conozca

pues hasta soy medio artista

y luego tengo una vista

que hasta dicen que soy luz.

Y la forma de mi cuerpo

arreglada a mi vestido

me hacen mozo muy querido,

lo juro, lo juro por esta cruz.



Yo soy el taita del barrio,

pregúnteselo a cualquiera.

No es esta la vez primera

en que me han de conocer.

Yo vivo por San Cristóbal,

me llaman Don Juan Cabello,

anóteselo en el cuello

y ahí va, y ahí va, así me quieren ver.

English lyrics of the Tango "Don Juan"

In the tango, I am so grand

that when I make a double cut

news travels to the North,

if I am in the South.

And to dance the Yuyeta

if I dress in style

everyone tells me

God give you, God give you, life and health.

Cool it, hey, take it easy.

Keep going, piano, hey,

realize it yourself

and then you’ll say

if with this tough guy

they can, up North

cool it, hey, what a move,

cool it, hey, take it easy.

There’s no theater I don’t know

for I’m even somewhat an artist

and then I have such a sight

they even say I am light.

And the shape of my body

tailored to my suit

makes me a very beloved young man,

I swear, I swear by this cross.

I am the boss of the neighborhood,

ask anyone.

This isn’t the first time

they’ve come to know me.

I live by San Cristóbal,

they call me Don Juan Cabello,

write it on your collar

and there it goes, and there it goes, that’s how they want to see me.

Don Juan by Ricardo Podesta

Don Juan is a Tango written by Ricardo Podesta and composed by Ernesto Ponzio.



Story behind the Tango Don Juan

The lyrics of “Don Juan” sketch a vivid portrait of a confident and skilled tanguero who is revered in his community, both for his tango prowess and his charismatic personality. The singer boasts of his dance moves that are so noteworthy, whispers of his skill travel from the North to the South. This not only portrays his influence but also shows the interconnectedness of communities through the art of tango. This character, Don Juan, is deeply woven into the fabric of his locality, embodying the spirit of his neighborhood, as everyone seems to recognize and admire him.



Symbolism of Don Juan

The narrative use of “Don Juan” in the lyrics symbolizes an ideal figure in the tango culture – someone who is not only adept in his art but lives with an unmatched style and bravado. The name “Don Juan,” traditionally associated with seduction and allure, here is applied to a man seducing not women, but his audience and peers through his dance and personality. Phrases like “Yo soy el taita del barrio,” which translates to “I am the daddy of the neighborhood,” enhances this image of a respected and almost mythic figure. The tango, passionately key to the Argentine culture, thus finds a representation through an individual exuding competence and charm.



Don Juan in historic Context

Recorded in 1932 in Argentina, the context of “Don Juan” comes during a vital era where tango was intertwined deeply with Argentine identity. The early 20th century saw tango evolve from the fringes of society to a national treasure, influencing not only music but also social behaviors and traditions. In this setting, tango was not merely a dance but an expression of everyday life, resilience, and communication among Argentinians. The character of Don Juan could be seen as an archetype of ideal masculine prowess and cultural adherence to the rhythms of tango that resonated with the masses. It sheds light on the societal values and the collective memory of a community finding joy and expression in the folds of tango music and dance.



Ricardo Podesta

Ricardo Podesta was a celebrated lyricist known for his contributions to the Tango genre, capturing the essence of Argentine culture and daily life in his works.