Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Honda tristeza is a Tango written by Vicente Planells del Campo and composed by Roberto Firpo.
The lyrics of “Honda tristeza” poetically narrate a haunting and somber tale of farewell and persistent sorrow experienced by the narrator. The title itself, translating to “Deep Sadness” in English, frames the central emotional theme of the Tango. The evocation of a night that the narrator cannot forget suggests a significant, life-altering event, most likely a departure or loss of a loved one. This narrative is a vivid portrayal of the torment and longing that follows a poignant goodbye, marked by the enduring ache left in the narrator’s heart.
The imagery used in “Honda tristeza” enhances the sense of enduring grief and solitude. Key phrases such as “una noche de penar,” which suggests a night full of sorrow, and the “florido jardín,” a blooming garden that witnesses the cruel night, symbolize both the temporal nature of beautiful moments and their permanence in memory. The garden, typically a symbol of growth and life, stands in contrast to the narrator’s experience of loss and desolation, emphasizing the bitterness of memories once cherished. The act of gripping hands and the final farewell are potent symbols of intimacy and ultimate separation.
Recorded in 1945, just shortly after the end of World War II, “Honda tristeza” emerges in a period rich with global mourning and personal loss. Argentina, while geographically distant from the main theaters of war, was not immune to the war’s economic and cultural impacts. In this context, the Tango could resonate profoundly with an audience grappling with the aftermath of loss and the struggle to find peace. The personal sorrow described could parallel the collective experiences of loss, longing, and the need to remember yet move forward.
Vicente Planells del Campo was an Argentine lyricist known for his deeply emotional and poignant contributions to the genre of Tango, a popular form of music and dance that originated in the late 19th century among the working class of Buenos Aires.