Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Callejero is a Tango written by Francisco Bohigas and composed by Arturo Gallucci.
The lyrics of “Callejero” paint a vivid image of a street-wise man, deeply entrenched in the nightlife and urban culture of Buenos Aires in the 1940s. The central character is portrayed as a night owl, wandering the streets and cafes, detached from conventional responsibilities like work and study. This Tango tells the story of a charming yet irresponsible man who embraces the city streets as his true home, living a life that deviates from societal expectations.
“Callejero,” translating to “Streetwise” in English, serves as both a nickname and a symbol for the protagonist. The term encompasses his identity—a man of the streets, savvy and experienced in the ways of city life. Terms like “Maniquí de saco largo con sombrero tipo avión” and “Picaflor incorregible” metaphorically depict him as a stylish mannequin and a relentless flirt, highlighting his superficial and flirtatious nature. Such imagery portrays the deceptive allure of city life, where appearances and surface interactions often overshadow deeper connections and responsibilities.
Recorded in 1947, “Callejero” reflects post-World War II Argentina, a period marked by significant social and economic changes. Buenos Aires, bustling and evolving, became a melting pot of cultures and ideas, but also a backdrop for social disparities. The lyrics suggest a critique of those who sidestep the hard work that builds society (“Te reís del panadero que se esmera por tu pan”), emphasizing the disconnect between the city’s glamorous nightlife and the realities of daily struggle for many of its citizens.
Francisco Bohigas was an influential lyricist in the realm of Tango, known for capturing the essence and spirit of Argentine urban life in his compositions.