Fabrice Knecht Tango DJ

Negro (2)

Negro (2) is a Candombe written by and recorded by Domingo Federico in 1960. The Candombe Negro (2) is written by , Domingo Federico has recorded Negro (2) with the singer Rubén Sánchez.
“Negro (2)” translates to “Black (2)” in English, a name that evokes depth and mystery, much like the seductive allure of a shadowy tango. This piece captures the essence of night, where passion dances freely under the moon’s watchful gaze. Each note flows like a secret whispered in the dark, telling tales of longing and untold stories.

Candombe

Style

Domingo Federico

Orchestra

Rubén Sánchez

Singer

Author

Composer

1960/1/12

Date

Rubén Sánchez
Rubén Sánchez
Domingo Federico
Domingo Federico

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Adolfo Carabelli – Volvé – 1932/7/26
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Adolfo Carabelli – Sinverguenza alabancioso – 1931/9/7
LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8
Ángel d’Agostino – Agua florida – 1941/11/13
Ángel d’Agostino – Traiga otra caña – 1941/11/12
Ángel d’Agostino – No aflojés – 1953/2/2
Ángel d’Agostino – Menta y cedrón – 1945/7/17
Ángel d’Agostino – Pico de oro – 1952/10/31

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1960/1/12 – Portero suba y diga – Domingo Federico
1960/1/12 – Presentacion – Domingo Federico
1960/1/12 – Tus ojos me aprisionan – Domingo Federico
1960/1/1 – La calle 92 – Astor Piazzolla
1960/1/1 – Andrajos – Domingo Federico

Lyrics Translation of the Candombe Negro (2)

This is the translation of the Candombe “Negro (2)” from Spanish to English. The English lyrics of the Candombe “Negro (2)” have been done with AI.

Negro (2) recorded by Domingo Federico


Negro (2) is an instrumental Tango composed by Domingo Federico.



Interpretation of Negro (2)

In the language of music, “Negro (2)” transcends words and instead paints its narrative through melody, rhythm, and emotion. As an instrumental piece, it immerses listeners in a world shaped by the vibrant and intense passion characteristic of tango. The title “Negro,” which translates to “Black” in English, perhaps suggests a dive into the depths of emotional experience and historical roots. Through its progression, the piece might explore themes of mystery and intensity, artistry often associated with the color black—a symbol of elegance, strength, and profound emotion.



Domingo Federico and Negro (2)

Domingo Federico, a prominent figure in the tango genre, presents “Negro (2)” with his orchestra, crystallizing the spirit of a 1960 era tango while delivering a fresh take on traditional sounds. Known for his masterful orchestration, Federico invites his audience to experience the heart and soul of tango through layered harmonies and rhythmic innovation, all encapsulated in “Negro (2).” The performance is not just a presentation of notes but a storytelling journey, paying homage to the cultural and emotional depth of Argentine tango music.