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Cafetín de Buenos Aires

Cafetín de Buenos Aires is a Tango written by Mariano Mores and recorded by José Basso in 1964. The Tango Cafetín de Buenos Aires is written by Mariano Mores, José Basso has recorded Cafetín de Buenos Aires with the singer Héctor De Rosas.
“Cafetín de Buenos Aires,” translating to “Little Café of Buenos Aires,” evokes the intimate charm of a small, bustling café nestled in the heart of the city. Here, the tango’s soulful melody fills the air, mingling with the scent of strong coffee and whispered secrets. It tells stories of longing and nostalgia, capturing the essence of Buenos Aires’ vibrant spirit.

Tango

Style

José Basso

Orchestra

Héctor De Rosas

Singer

Enrique Santos Discépolo

Author

Mariano Mores

Composer

1964/1/1

Date

Héctor De Rosas
Héctor De Rosas
José Basso
José Basso

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Cafetín de Buenos Aires recorded by other Orchestras

Cafetín de Buenos Aires recorded by other Orchestras

Lyrics Translation of the Tango Cafetín de Buenos Aires

This is the translation of the Tango “Cafetín de Buenos Aires” from Spanish to English. The English lyrics of the Tango “Cafetín de Buenos Aires” have been done with AI.

Letra del Tango Cafetín de Buenos Aires

De chiquilín te miraba de afuera
como a esas cosas que nunca se alcanzan…
La ñata contra el vidrio,
en un azul de frío,
que sólo fue después viviendo
igual al mío…
Como una escuela de todas las cosas,
ya de muchacho me diste entre asombros:
el cigarrillo,
la fe en mis sueños
y una esperanza de amor.

Cómo olvidarte en esta queja,
cafetín de Buenos Aires,
si sos lo único en la vida
que se pareció a mi vieja…
En tu mezcla milagrosa
de sabihondos y suicidas,
yo aprendí filosofía… dados… timba…
y la poesía cruel
de no pensar más en mí.

Me diste en oro un puñado de amigos,
que son los mismos que alientan mis horas:
(José, el de la quimera…
Marcial, que aún cree y espera…
y el flaco Abel que se nos fue
pero aún me guía….).
Sobre tus mesas que nunca preguntan
lloré una tarde el primer desengaño,
nací a las penas,
bebí mis años
y me entregué sin luchar.

English lyrics of the Tango "Cafetín de Buenos Aires"

As a child, I watched you from outside
like those things that are never within reach…
My nose pressed against the glass,
in a blue of cold,
that later became just like mine…
Like a school of all things,
as a boy you amazed me with:
the cigarette,
faith in my dreams,
and a hope for love.

How can I forget you in this lament,
little café of Buenos Aires,
if you are the only thing in life
that resembled my mother…
In your miraculous blend
of sages and suicides,
I learned philosophy… dice… gambling…
and the cruel poetry
of not thinking about myself anymore.

You gave me in gold a handful of friends,
who are the same ones who cheer my hours:
(José, the dreamer…
Marcial, who still believes and hopes…
and skinny Abel, who left us
but still guides me…)
On your tables that never ask questions
one afternoon I cried over my first disappointment,
I was born to sorrows,
I drank my years
and surrendered without a fight.

Cafetín de Buenos Aires by Enrique Santos Discépolo

Cafetín de Buenos Aires is a Tango written by Enrique Santos Discépolo and composed by Mariano Mores.



Story behind the Tango Cafetín de Buenos Aires

The lyrics of “Cafetín de Buenos Aires” narrate a deep, emotional connection between the persona and a small café in Buenos Aires that serves as a metaphorical anchor throughout his life. It starts by depicting a childhood curiosity about the café, viewed from outside, symbolizing desires that seemed unreachable at the time. As the persona grows older, the café becomes a place of learning and experience — from smoking his first cigarette to facing his first romantic disappointment. This café is represented not just as a physical place, but as a sanctuary that has witnessed the milestones of his life, serving as both school and refuge.



Symbolism of Cafetín de Buenos Aires

The “Cafetín de Buenos Aires” is symbolic of a maternal figure in the narrator’s life, emotionally equivalent to his mother. This comparison elevates the café to a nurturing, omnipresent figure. Phrases like “La ñata contra el vidrio” (nose against the glass) capture the longing and external perspective of a child looking into a world he is not yet part of, which later becomes a central part of his life. The café is imbued with a sense of nostalgia and sorrow but also serves as a place where wisdom and friendships are forged, encapsulated in the line, “Me diste en oro un puñado de amigos” (You gave me a handful of friends like gold).



Cafetín de Buenos Aires in historic Context

Written in the mid-1960s, during a time of significant cultural and political shifts in Argentina, “Cafetín de Buenos Aires” reflects a yearning for simpler, more stable times through its introspective look at local life in a traditional Buenos Aires café. These establishments, known as cafetins, were hubs of intellectual and artistic activity, crucial during periods of societal upheaval. The historical backdrop of an evolving Buenos Aires adds a layer of melancholic nostalgia to the tango, as it laments the passing era of communal intimacy characterizing earlier decades.



Enrique Santos Discépolo

Enrique Santos Discépolo was an influential Argentine tango composer and lyricist known for his profound and poignant lyrics.