Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Amurado is a Tango written by José De Grandis and composed by Pedro Laurenz.
“Amurado” translates to “Bolted” or “Barred up” in English, conveying a sense of being locked up or isolated. The lyrics depict the emotional turmoil of a person left behind, reflecting on their solitude and aging, following the departure of a loved one. The narrator details the empty space (“campaneo a mi catrera y la encuentro desolada”), the remnants left behind (pilchas viejas, una flores), and his tormented soul, encapsulating the desolation and abandonment he feels.
The tango uses poignant symbolism to deepen the sensation of loneliness and despair. The “cuadrito” (small picture) which remains represents memories and better times, contrasting sharply with the narrator’s present desolation. Phrases like “voy por los cafetines a buscar felicidad” illustrate the narrator’s futile search for happiness in bars, metaphorizing his deep-set emptiness. This journey through nighttime streets, often seen in Tango, symbolizes a search for meaning and solace amidst the darkness of life.
1927 Argentina was marked by political and social transitions, influencing Tango music to express societal sentiments. “Amurado” reflects this historical backdrop through its themes of loss, solitude, and yearning for the past—common feelings during times of change. The Tango, a dance of the melancholic, encapsulates individual emotional struggles against the broader background of societal upheaval, making it deeply resonant with its contemporary audience.
José De Grandis was an Argentine poet and lyricist known for his poignant and emotionally rich compositions in the tango genre.