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Cenizas de amor

Cenizas de amor is a Vals written by Eduardo Requena and recorded by Edgardo Donato in 1932. The Vals Cenizas de amor is written by Eduardo Requena, Edgardo Donato has recorded Cenizas de amor with the singer Luis Díaz.
“Cenizas de amor,” or “Ashes of Love,” evokes the haunting remnants of a once-passionate romance. The music sways with the haunting elegance of a tango, each note a murmured memory, lingering like smoke. It is a bittersweet melody where love’s fervor fades, leaving behind the poignant beauty of memories turned to ashes.

Vals

Style

Edgardo Donato

Orchestra

Luis Díaz

Singer

Pascual Vivona, Eduardo Requena

Author

Eduardo Requena

Composer

1932/1/1

Date

Luis Díaz
Luis Díaz
Edgardo Donato
Edgardo Donato

Discover Other Orchestras

Rodolfo Biagi – La cumparsita (Apologia del tango) – 1942/4/15
Rodolfo Biagi – Si la llegaran a ver – 1943/12/7
Rodolfo Biagi – Campo afuera – 1939/4/27
Rodolfo Biagi – Yo tengo un puñal – 1943/3/3
Rodolfo Biagi – Prisionero (2) – 1943/8/24
Cuarteto Típico Roberto Firpo – Un lamento – 1942/1/2
Cuarteto Típico Roberto Firpo – Chamberguito de los gauchos – 1946/12/16
Cuarteto Típico Roberto Firpo – La rosarina – 1944/3/31
Cuarteto Típico Roberto Firpo – Olga – 1946/7/25
Cuarteto Típico Roberto Firpo – Alma de bohemio – 1947/5/21
José Basso – Mundana – 1956/11/29
José Basso – Después del carnaval – 1958/5/28
José Basso – Su nombre era Margot – 1966/1/1
José Basso – La camalela – 1965/1/1
José Basso – Por la vuelta – 1956/6/11
Domingo Federico – El mayoral – 1946/4/24
Domingo Federico – El marajá – 1951/8/3
Domingo Federico – A Maria Rosa – 1954/2/11
Domingo Federico – El huérfano – 1945/5/15
Domingo Federico – Quisiera pedirle a Dios – 1947/1/31

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

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1932/1/1 – Cancion de la marina – Osvaldo Fresedo
1932/1/1 – Cielito mio – Osvaldo Fresedo
1932/1/1 – Clyde – Osvaldo Fresedo
1932/1/1 – Cuando Yuba toca la rumba en la tuba – Osvaldo Fresedo

Lyrics Translation of the Vals Cenizas de amor

This is the translation of the Vals “Cenizas de amor” from Spanish to English. The English lyrics of the Vals “Cenizas de amor” have been done with AI.

Letra del Vals Cenizas de amor

Ya te fuiste, lo dudo que vuelvas
Embriagada estarás de ilusión,
Mi cariño, si bien lo recuerdas
En mi alma hallará el perdón.

Tu imagen que tanto he soñado
Me ha dejado un amargo dolor,
Qué imposible borrar lo grabado
En la pena de mi corazón.

English lyrics of the Vals "Cenizas de amor"

You left, I doubt you’ll return,
Intoxicated by dreams you must be,
My love, if you still recall,
In my soul, forgiveness you’ll see.

Your image, that I’ve dreamed so much,
Has left me a bitter pain,
How impossible to erase what’s etched
In the sorrow of my heart’s domain.

Cenizas de amor by Pascual Vivona, Eduardo Requena

Cenizas de amor is a Tango written by Pascual Vivona, Eduardo Requena and composed by Eduardo Requena.

Story behind the Tango Cenizas de amor

The title “Cenizas de amor” translates to “Ashes of Love” in English, indicating a theme of love that has burned out, leaving only remnants of a once-passionate affair. The lyrics capture the essence of a forsaken lover reflecting on the departure of their beloved. The narrator doubts the return of their love, who is intoxicated with new dreams and illusions. This melancholic reflection is emphasized by the lament that while the loved one may find forgiveness in their heart, the protagonist is left with the indelible marks of pain—engraved in their heart.

Symbolism of Cenizas de amor

The song uses vivid imagery and symbolism to convey the depth of the narrator’s feelings. “Embriagada estarás de ilusión,” or “You will be intoxicated with illusion,” suggests not only departure but also a poignant critique of the beloved’s pursuit of unattainable dreams, possibly at the cost of true affection. The phrase “Qué imposible borrar lo grabado” (“What’s impossible to erase what’s engraved”) symbolizes the lasting impact of this encounter on the narrator’s heart, emphasizing the permanence of their emotional scars.

Cenizas de amor in historic Context

Recorded in 1932, “Cenizas de amor” emerges during a vibrant yet tumultuous period in Argentine history, marked by political shifts and the burgeoning influence of tango music as a cultural expression of the urban lower classes. The emotional resonance of the tango, often reflecting themes of loss, nostalgia, and unrequited love, mirrored the societal sentiments of disenchantment and the grappling with rapid modernization and urbanization. Tango was a vehicle for expressing personal grief and social anxieties, connecting the personal to the collective experience.

Pascual Vivona, Eduardo Requena

Pascual Vivona and Eduardo Requena were significant contributors to the Argentine tango scene, known for their evocative compositions that delve into the complexities of human emotions and relationships.