Fabrice Knecht Tango DJ

Mandria

Mandria is a Tango written by Juan Rodríguez and recorded by Roberto Firpo in 1927. Roberto Firpo has recorded Mandria as an instrumental Tango.
“Mandria,” meaning “laziness” in English, captures the slow, languid rhythm that echoes through its notes. This piece whispers tales of unhurried afternoons where time stretches and the world moves at its own gentle pace. As the melody unfolds, it invites listeners to embrace the art of pause and revel in serene contemplation.

Letra del Tango Mandria

Tome mi poncho… No se aflija…

¡Si hasta el cuchillo se lo presto!

Cite, que en la cancha que usté elija

he de dir y en fija

no pondré mal gesto.



Yo con el cabo ‘e mi rebenque

tengo ‘e sobra pa’ cobrarme…

Nunca he sido un maula, ¡se lo juro!

y en ningún apuro

me sabré achicar.



Por la mujer,

creamé, no lo busqué…

Es la acción

que le viché

al varón

que en mi rancho cobijé…

Es su maldad

la que hoy me hace sufrir:

Pa’ matar

o pa’ morir

vine a pelear

y el hombre ha de cumplir.



Pa’ los sotretas de su laya

tengo güen brazo y estoy listo…

Tome… Abaraje si es de agaya,

que el varón que taya

debe estar previsto.

Esta es mi marca y me asujeto.

¡Pa ‘ qué pelear a un hombre mandria!

Váyase con ella, la cobarde…

Dígale que es tarde

pero me cobré.

English lyrics of the Tango "Mandria"

Take my poncho… Don’t be distressed…

I’d even lend you my knife!
Call it out, for in the arena you choose
I’ll be there steadfast
without a frown on my face.

With the handle of my whip
I’ve more than enough to settle scores…
I’ve never been a coward, I swear!
And in any trouble
I won’t shrink away.

For the woman,
believe me, I didn’t seek this…
It’s the action
I spotted
in the man
whom I sheltered in my own home…
It’s his wrongdoings
that now cause me pain:
To kill
or to die
I came to fight
and a man must uphold.

For the crooks of your kind
I have a strong arm and I’m ready…
Take this… Come closer if you dare,
since a man who deals
must always be prepared.
This is my stance and I stick to it.
Why fight a feeble man?
Go away with her, the coward…
Tell her it’s late
but I’ve settled my dues.

Mandria by Francisco Brancatti

Mandria is a Tango written by Francisco Brancatti and composed by Juan Rodríguez.



Story behind the Tango Mandria

“Mandria” is a raw, emotional narrative set in the context of Argentine culture, revolving around themes of honor, betrayal, and machismo. The main character portrays a man betrayed by a woman and her lover, whom he had once sheltered. Faced with this treachery, he confronts the other man, not so much to fight over the woman, but to uphold his personal honor and adherence to societal codes of conduct. The lyrics use a dialogue-like approach, portraying the protagonist’s readiness to fight, an act he deems necessary to maintain his integrity and fulfill his duty as a man.



Symbolism of Mandria

The use of symbolic elements like the poncho and the knife intensifies the cultural depth and the emotional stakes. The poncho, an iconic garment in Argentine culture, symbolizes the protagonist’s readiness and his identity, while the knife is a symbol of personal honor and the fight he is prepared to engage in. Key phrases like “Pa’ matar o pa’ morir vine a pelear” (I came to fight, to kill or to die) and “¡Pa’ qué pelear a un hombre mandria!” (Why fight a worthless man!) exemplify the extremes of passion and the depths of scorn he feels towards the actions of his deceitful guests.



Mandria in historic Context

The Tango, composed in 1927 in Argentina, comes from a period and place where tango music deeply intertwined with the everyday life and struggles of the working class. “Mandria,” translating roughly to ‘worthless’ or ‘cowardly,’ reflects societal attitudes towards personal honor and masculinity during this era. The emphasis on personal resolution of conflicts, often through duels or confrontations, was common in the cultural narratives of that time, spotlighting the personal value placed on reputation and bravery.



Francisco Brancatti

Francisco Brancatti was an influential writer of Tango lyrics, contributing significantly to the genre with his emotionally charged and culturally resonant songwriting.