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Al volver de madrugada

Al volver de madrugada is a Tango written by and recorded by Roberto Firpo in 1944. The Tango Al volver de madrugada is written by , Roberto Firpo has recorded Al volver de madrugada with the singer Ignacio Murillo.
“Al volver de madrugada,” translating to “Upon Returning at Dawn,” captures the essence of a serene yet reflective journey. It speaks to the quiet moments when the night gives way to a new day, evoking a sense of nostalgia and hope. This piece of music, perhaps a melancholic tango, beautifully narrates the solitary walk through dimly lit streets, carrying whispers of past dreams and future possibilities.

Tango

Style

Roberto Firpo

Orchestra

Ignacio Murillo

Singer

Author

Composer

1944/4/21

Date

Ignacio Murillo
Ignacio Murillo
Roberto Firpo
Roberto Firpo

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Astor Piazzolla – Garúa – 1982/5/30
Astor Piazzolla – Tu pálido final – 1947/8/29
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Nuevo Quinteto Real (Horacio Salgán) – La cumparsita – 1987/1/1
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1944/4/21 – Arganaraz (Aquellas farras) – Roberto Firpo
1944/4/21 – Lenguaje de amor – Roberto Firpo
1944/4/21 – Luna – Roberto Firpo
1944/4/19 – Bohardilla – Miguel Calo
1944/4/19 – La vi llegar – Miguel Calo

Lyrics Translation of the Tango Al volver de madrugada

This is the translation of the Tango “Al volver de madrugada” from Spanish to English. The English lyrics of the Tango “Al volver de madrugada” have been done with AI.

Al volver de madrugada recorded by Roberto Firpo


Al volver de madrugada is an instrumental Tango composed in 1944.



Interpretation of Al volver de madrugada

“Al volver de madrugada,” meaning “Upon Returning at Dawn” in English, evokes the haunting ambiance of the early morning hours. This instrumental piece could be characterized by a gentle yet captivating melody that captures the essence of returning home after a night of passion, reflection, or revelry. The music likely starts with a soft, mysterious introduction, gradually unveiling the rich tapestry of sounds typical of a Tango orchestra, each instrument adding to the nocturnal tapestry. The crescendo may symbolize the various emotions of anticipation, nostalgia, and tranquility associated with the break of dawn.



Roberto Firpo and Al volver de madrugada

Roberto Firpo, a prominent figure in the world of Tango, would give life to “Al volver de madrugada” using the distinct sound of his orchestra. His interpretation would bring out the nuances of the composition, allowing the listener to experience the journey of the night through music. Known for his skillful arrangement and emotive playing, Firpo’s rendition would undoubtedly capture the essence of the dawn’s return, making it a memorable piece for audiences of the time.