Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El inquilino is a Tango written by Carlos Lucero and composed by Javier Mazzea.
The lyrics of “El inquilino” depict the disputes between a tenant, the narrator, and his landlady. The tenant outlines a series of complaints voiced by the landlady, juxtaposed with his defenses and expressions of disbelief at her grievances. Key themes include conflict, misunderstanding, and the strain of urban living. The narrator has lived as a tenant for ten years without issue, but now faces potential eviction based on accusations of improper behavior.
The song uses domestic imagery to symbolize broader themes of societal expectations and personal integrity. The mention of refurbishing the hen house and the front of the property suggests efforts to maintain respectability, while disputes over noise from the radio and damage from the children’s play highlight the challenges of communal living. Symbolically, the tenant’s insistence on staying put, despite threats of eviction, reflects a deeper narrative of resilience and resistance against unjust accusations.
The tango was recorded in 1956, a turbulent period in Argentine history characterized by political and social upheaval. The milonga, a genre often reflecting the sentiments of the working-class, serves as a medium to comment on the societal dynamics of the time. In this context, “El inquilino” can be seen as a reflection of the average individual’s struggle for stability and respect amidst societal changes and challenges. The song captures the essence of mid-20th century Buenos Aires, where rapid urbanization led to conflicts over housing and living conditions.
A notable lyricist in the world of Argentine tango, Carlos Lucero’s work often explores themes of everyday life and personal relationships.