Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Viva la patria is a Tango written by Alberto Vacarezza and composed by Antonio Scatasso.
“Viva la patria” captures a momentous epoch in Argentine history, reflecting the resurgence of national pride and revolutionary fervor. The mention of “el triunfal amanecer de la revolución” directly alludes to a historical awakening or liberation, implying a transition akin to the successful revolution of 1810, which led to Argentina’s independence. The lyrics paint the portrait of a people unified and ready to defend their liberty, echoing the spirit of patriotic milestones.
The intensely symbolic nature of the lyrics resonates through phrases like “La niebla gris rasgó veloz, el vuelo de un adiós,” suggesting the dispersal of gloom to welcome a new era of freedom. The repeated rallying cry, “¡Viva la patria!” (Long live the fatherland!), is a direct affirmation of national pride and unity. Furthermore, the imagery of a youthful blood (“y hasta tiñó tu pabellón la sangre juvenil”) coloring the flag evokes sacrifice and the valor of a new generation energizing the patriotic cause.
Given the year of its creation, 1930, “Viva la patria” was born during a period of significant political change and upheaval in Argentina, following the infamous 1930 military coup that ended the democratic period known as the Infamous Decade. This context imbues the lyrics with a layer of urgent call to protect and value freedom and integrity of the nation against any form of tyranny or external oppression. The mention of places such as “la capital del sur,” likely refers to Buenos Aires, the foreground for many of the nation’s revolutionary activities.
Alberto Vacarezza was a prominent Argentine playwright and lyricist, renowned for his contributions to the tango genre and the nationalistic themes prevalent in his works.