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Barrio Piñeyro

Barrio Piñeyro is a Tango written by Domingo Precona and recorded by Osvaldo Fresedo in 1928. The Tango Barrio Piñeyro is written by Domingo Precona, Osvaldo Fresedo has recorded Barrio Piñeyro with the singer Ernesto Famá.
“Barrio Piñeyro,” or “Piñeyro Neighborhood,” evokes the essence of a vibrant, storied enclave. This piece of music paints a tapestry of cobblestone streets and whispering trees, where every note uncovers tales of love and longing. With each melody, the heartbeats of a community come alive, inviting us to wander through its nostalgic pathways.

Tango

Style

Osvaldo Fresedo

Orchestra

Ernesto Famá

Singer

Dante A. Linyera

Author

Domingo Precona

Composer

1928/6/25

Date

Ernesto Famá
Ernesto Famá
Osvaldo Fresedo
Osvaldo Fresedo

Discover Other Orchestras

Osvaldo Pugliese – Los hermanos – 1972/12/6
Osvaldo Pugliese – Gurisa – 1958/1/16
Osvaldo Pugliese – Canaro en París – 1965/10/1
Osvaldo Pugliese – Caminito – 1966/11/1
Osvaldo Pugliese – El africano – 1978/12/20
Enrique Francini – Es hora de vivir – 1956/7/27
Enrique Francini – Milonga con variación (Milonga con variaciones) – 1970/12/18
Enrique Francini – La trilla – 1955/11/3
Enrique Francini – Inspiración – 1956/1/19
Enrique Francini – El gurí – 1956/3/7
Ricardo Tanturi – El moro – 1941/11/27
Ricardo Tanturi – Recuerdo malevo – 1941/12/23
Ricardo Tanturi – Esta noche al pasar – 1945/1/22
Ricardo Tanturi – La copa del olvido – 1942/7/20
Ricardo Tanturi – Espera de esquina – 1946/5/16
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Scherzo – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Amarraditos – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Juego de damas – 1971/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1928/6/25 – Chanta cuatro – Osvaldo Fresedo
1928/6/25 – Tierra hermana – Osvaldo Fresedo
1928/6/26 – La sulamita – Carlos Gardel
1928/6/26 – Adios muchachos – Carlos Gardel
1928/6/26 – Che papusa oi – Carlos Gardel

Lyrics Translation of the Tango Barrio Piñeyro

This is the translation of the Tango “Barrio Piñeyro” from Spanish to English. The English lyrics of the Tango “Barrio Piñeyro” have been done with AI.

Letra del Tango Barrio Piñeyro

Callejas sombrías de mis aventuras
Rincones cordiales de mi juventud,
Que ocultan la historia de mis amarguras
Y fueron pa´ mi alma como un ataúd.

Vagando por ellas tras de una quimera
Como una moneda perdí el corazón,
Quizá entre las hojas de la enredadera
Allá en la casita que fue mi ilusión.

Mi barrio querido
Que fue como cuna,
Que fue como nido
De aquella inquietud.
En tus callejones
Hoy duermen pa´ siempre,
Las hondas canciones
De mi juventud…

La dulce pebeta que el luto hermoseaba
Sonriendo en la sombra de aquel callejón,
No sé cuántas veces me dijo que amaba
La loca ironía de mi inspiración.

Y luego, una noche, con el alma mustia
Cansada la pobre de cuanto lloró,
Como una esperanza que mata la angustia
Me dijo: “Hasta luego”… Pero no volvió.

English lyrics of the Tango "Barrio Piñeyro"

Shadowy streets of my adventures
Warm corners of my youth,
That hide the story of my sorrows
And were for my soul like a coffin.

Wandering through them chasing a fantasy
Like a coin, I lost my heart,
Perhaps among the leaves of the ivy
There in the little house that was my dream.

My beloved neighborhood
That was like a cradle,
That was like a nest
Of that restlessness.
In your alleys
Now sleep forever,
The deep songs
Of my youth…

The sweet girl who beautified mourning
Smiling in the shadow of that alley,
I don’t know how many times she told me she loved
The crazy irony of my inspiration.

And then, one night, with a wistful soul
Tired, the poor thing, of all she cried,
Like a hope that kills the anguish
She said to me: “See you later”… But she never returned.

Barrio Piñeyro by Dante A. Linyera

Barrio Piñeyro is a Tango written by Dante A. Linyera and composed by Domingo Precona.



Story behind the Tango Barrio Piñeyro

The lyrics of “Barrio Piñeyro” evoke a gripping narrative of youth, lost love, and the poignant reminiscence of simpler times. The `callejas sombrías` and the `rincones cordiales` serve as metaphors for the hidden corners of the author’s heart, brooding over past distress yet brimming with childhood memories. The borough of Piñeyro, likely evoked in the phrases, portrays the backdrop of Linyera’s youthful escapades and emotional turmoil encapsulated within the seeming peace of a residential haunt. Furthermore, the `dulce pebeta` accentuates an allusive figure— a young woman whose charm lights up the somber alleyways but, like a fleeting dream, leaves the poet in her absence.



Symbolism of Barrio Piñeyro

The tango is deeply emblematic, with phrases like `que fueron pa´ mi alma como un ataúd` illustrating the neighborhood not only as a physical locale but as an emotional coffin, burying the sorrows of young love. The use of `como una moneda perdí el corazón` and `enredadera` symbolizes the intricate and inevitable growth and loss of love, as unpredictable and tangled as a vine’s path. The enduring imagery of music and youth sprinkled throughout the verses, `las hondas canciones de mi juventud`, uses music as a vehicle of time, reflecting the harmony and dissonances of the past.



Barrio Piñeyro in Historic Context

Recorded in 1928, during a period rich in political and social changes in Argentina, the tango mirrors a nostalgic yearning for stability and the purity of youth within a rapidly evolving society. Barrio Piñeyro, a neighborhood possibly within the larger context of Buenos Aires, provides a lens to view the juxtaposition of past personal innocence against a backdrop of larger societal shifts. The specific historical and geographical milieu underscores the themes of transformation and the bittersweet passage of time.



Dante A. Linyera

Dante A. Linyera was a prominent poet and lyricist known for his deep and evocative contributions to the genre of Tango, capturing the essence of Argentinian spirit and urban melancholy.