Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Soy un arlequín is a Tango written and composed by Enrique Santos Discépolo.
“Soy un arlequín” translates to “I am a harlequin,” a figure often characterized as a comedic servant in Italian theatrical form known as Commedia dell’arte, synonymous with masked performances and flamboyant costumes. In this poignant tango, the harlequin is a metaphor for the persona the protagonist adopts to conceal his deep sorrows and emotional suffering. The lyrics poetically narrate a tale of disillusioned love, where the narrator’s idealism and sacrificial intent are met with betrayal, leading to intense personal agony.
The harlequin in the tango symbolizes façade and deception, both in the sense of the narrator’s own masked emotions and the deceit he experiences in love. The powerful phrases “Me clavó en la cruz” (She nailed me to the cross) and “porque soñé que era Jesús y te salvaba” (because I dreamed I was Jesus and was saving you) further portray his martyr-like role, entwined with religious undertones symbolizing sacrifice and redemption. This complex layering enhances the struggle between his envisioned purity and the harsh betrayal he endures.
The tango was created in Argentina in 1945, a time of notable political and social change globally following the Second World War. This period was characterized by a collective reassessment of values and personal identities, reflecting in the existential and introspective nature of the lyrics. The use of the harlequin as a symbol is especially poignant in this setting, representing the general public’s facade of resilience in the face of residual emotional turmoil and disillusionment from the war.
Enrique Santos Discépolo was an acclaimed Argentine tango and milonga musician and composer, celebrated for his profound and poignant lyrics.