Fabrice Knecht Tango DJ

La número cinco

La número cinco is a Tango written by Orestes Cúfaro and recorded by Alfredo Gobbi in 1951. The Tango La número cinco is written by Orestes Cúfaro, Alfredo Gobbi has recorded La número cinco with the singer Jorge Maciel.
“The Number Five” is the English translation of the Spanish title “La Número Cinco.” This evocative piece, possibly a Tango, dances through the air with the elegance and precision of a perfectly timed sequence. Its name hints at a sense of mystery and balance, suggesting a fifth element that completes and elevates the composition to new heights.

Tango

Style

Alfredo Gobbi

Orchestra

Jorge Maciel

Singer

Reinaldo Yiso

Author

Orestes Cúfaro

Composer

1951/6/27

Date

Jorge Maciel
Jorge Maciel
Alfredo Gobbi
Alfredo Gobbi

Discover Other Orchestras

Florindo Sassone – La canción de Violeta – 1971/1/1
Florindo Sassone – En un café chiquito – 1974/1/1
Florindo Sassone – Quimera – 1948/5/11
Florindo Sassone – Re fa si – 1973/1/1
Florindo Sassone – Nostalgias – 1973/1/1
Francini-Pontier – El choclo – 1973/1/1
Francini-Pontier – Cuando talla un bandoneón – 1954/7/6
Francini-Pontier – Como tú – 1948/4/8
Francini-Pontier – Sin palabras – 1947/1/16
Francini-Pontier – Por una muñeca – 1955/3/2
Horacio Salgán Y Dante Amicarelli – La sombra de tu sonrisa (The shadow of your smile) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Caravana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Zamba de Vargas – 1970/1/1
Francisco Rotundo – Una copa nada más – 1949/1/1
Francisco Rotundo – Libertad – 1956/5/22
Francisco Rotundo – Yo soy aquel muchacho – 1955/6/9
Francisco Rotundo – Destino de flor – 1957/6/6
Francisco Rotundo – La casita esta triste – 1953/6/26

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1951/6/27 – Don Atilio – Osvaldo Pugliese
1951/6/27 – El mate amargo – Osvaldo Pugliese
1951/6/27 – El andariego – Alfredo Gobbi
1951/6/26 – Calor de hogar – Alfredo Gobbi
1951/6/26 – Que me quiten lo bailao – Alfredo Gobbi

Lyrics Translation of the Tango La número cinco

This is the translation of the Tango “La número cinco” from Spanish to English. The English lyrics of the Tango “La número cinco” have been done with AI.

Letra del Tango La número cinco

El sábado a la tarde, un sobre le entregaron

al capitán del cuadro en el salón del club,

aquél rompiendo el sobre leyó emocionado

una cartita extraña en una hoja azul.

Mañana ustedes juegan el clásico partido,

mi vida yo daría por verlo, estar allí,

gritar por mis colores, colores tan queridos,

pero eso es imposible, desde que estoy así.



Desde hace mucho tiempo, dos años más o menos,

me encuentro en una sala del hospital Muñiz.

Escucho el campeonato y sabe, así me entero,

de toda la gloriosa campaña de mi team.

Quisiera, si es posible, que usted me regalara

esa número cinco con la que jugaran.

Será el mejor remedio y sé que hasta mi madre,

desde el azul del cielo, se lo agradecerá.



Pregunte por Roberto, mi cama es la catorce,

el lunes yo lo espero, no es cierto que vendrá.

La carta terminaba y un lagrimón rebelde,

corrió por la mejilla del bravo centro half.

El lunes de mañana el médico de guardia,

con extrañeza enorme, halló en la sala dos,

once hombres y un purrete llorando, que abrazaba

una número cinco contra su corazón.

English lyrics of the Tango "La número cinco"

On Saturday afternoon, a letter was handed over
to the team captain in the club’s hall,
he, tearing open the envelope, read moved
a strange letter on a blue sheet.

Tomorrow you play the classic match,
I would give my life to see it, to be there,
to cheer for my colors, such dear colors,
but that is impossible, since I’ve been like this.

For a long time now, two years or so,
I’ve been in a ward at Muñiz hospital.
I follow the championship and that’s how I know,
about all the glorious campaign of my team.

If possible, I would like you to gift me
that number five with which you will play.
It will be the best remedy and I know even my mother,
from the blue of the sky, will be grateful to you.

Ask for Roberto, my bed is number fourteen,
I’ll wait for you on Monday, surely you will come.
The letter ended and a rebellious tear,
ran down the cheek of the brave center-half.

On Monday morning the on-duty doctor,
with immense surprise, found in ward two,
eleven men and a kid crying, who hugged
a number five against his heart.

La número cinco by Reinaldo Yiso

La número cinco is a Tango written by Reinaldo Yiso and composed by Orestes Cúfaro.



Story behind the Tango La número cinco

“La número cinco” captures a poignant narrative of longing and the power of simple gestures. The lyrics unfold a touching story of a hospitalized football fan who requests a specific jersey, number five, worn during a crucial match. This request is delivered through a letter that moves the team’s captain, highlighting the emotional bond and sense of community within the sport. As the narrative progresses, the fan’s deep connection to the football team serves as a nostalgic reminder of the joy that the sport brought to his life, underscoring themes of hope and memory.



Symbolism of La número cinco

The jersey, “la número cinco,” symbolizes more than just an item of sportswear; it represents a lifeline to normalcy and joy for the hospitalized fan. The color blue in the letter may allude to the sky, hinting at transcendental themes of hope and the spiritual connection with his deceased mother. The team’s engagement in fulfilling this simple yet profound request also symbolizes solidarity and the profound human connection beyond the confines of a sports field. Moreover, the jersey held “against the heart” in the concluding lines evokes deep emotional bonds and the healing power of cherished memories.



La número cinco in historic Context

Recorded in 1951, “La número cinco” emerged in post-war Argentina, a period marked by immense societal shifts and passionate embrace of cultural symbols like football. The song’s emotional depth reflects a society deeply connected through shared struggles and joys, with football serving as a unifying force. The reference to Hospital Muñiz, known for treating infectious diseases, adds a layer of social commentary, subtly highlighting healthcare issues during that era. The story’s setting in a local club emphasizes community bonds, crucial in the Argentine cultural fabric of the time.



Reinaldo Yiso

Reinaldo Yiso was a prolific Argentine lyricist known for his rich contributions to the Tango genre, creating deeply emotional and culturally resonant works during the mid-20th century.