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Qué tenés que hablar de mi

Qué tenés que hablar de mi is a Tango written by Leo Lipesker and recorded by Alfredo De Angelis in 1962. The Tango Qué tenés que hablar de mi is written by Leo Lipesker, Alfredo De Angelis has recorded Qué tenés que hablar de mi with the singer Lalo Martel.
“Qué tenés que hablar de mí,” translated to English as “What do you have to say about me,” is a provocative title that invites listeners into a world of curiosity and introspection. It suggests a tale of whispers and judgments, a dance of pride and vulnerability. The music, like a tango, wraps around the unspoken emotions, exploring the tension between public perception and personal truth.

Tango

Style

Alfredo De Angelis

Orchestra

Lalo Martel

Singer

Abel Aznar

Author

Leo Lipesker

Composer

1962/12/27

Date

Lalo Martel
Lalo Martel
Alfredo De Angelis
Alfredo De Angelis

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Lyrics Translation of the Tango Qué tenés que hablar de mi

This is the translation of the Tango “Qué tenés que hablar de mi” from Spanish to English. The English lyrics of the Tango “Qué tenés que hablar de mi” have been done with AI.

Letra del Tango Qué tenés que hablar de mi

No te asombres porque he vuelto,
ni me mires asustada.
Lo pensé tranquilamente,
antes de volver aquí.
Y aunque estoy en mi derecho,
no he venido a hacerte nada,
nada más que a preguntarte,
¡qué tenés que hablar de mi!
Vos sabes que yo no he sido,
ni cobarde, ni malvado,
sin embargo todos hablan
de lo que yo nunca fui.
Y lo peor, lo más terrible,
lo que me tiene amargado,
es que seas vos quien siembra
lo que dicen por ahí.

Quién te puede haber querido
tanto, tanto como yo.
Vos sabés lo que yo hice
para hundirme en el olvido
por tu amor, tu mal amor.
Si te queda un resto de alma,
por lo mucho que sufrí,
contestame francamente,
cara a cara, así de frente,
¡qué tenés que hablar de mi!

Sin embargo vos has hecho
de que todos me creyeran
el cobarde y el malvado
que sabés que nunca fui.
Yo tendría que vengarme
y que todos lo supieran,
pero yo no puedo hacerte
lo que vos me has hecho a mi.
Yo me fui y a nadie dije,
lo que hubo entre nosotros.
Yo sabía el bien que hacia,
para mi y para vos.
Porque la desgracia de unos,
es la risa de los otros,
y yo no quise que nadie
se burlara de los dos.

English lyrics of the Tango "Qué tenés que hablar de mi"

Don’t be surprised that I’ve returned,
nor look at me in fear.
I considered this calmly,
before coming back here.
And though it’s my right,
I’ve come not to cause distress,
just to ask you one question –
what have you to say of me?

You know well I was neither
a coward, nor a villain,
yet everyone speaks of
a man I’ve never been.
And the worst, most terrible part,
what truly sours my taste,
is that it’s you who scatters
the rumors that they chase.

Who could have loved you
as deeply as I did?
You know what I’ve endured
to drown in forgetfulness
for your love, your cruel love.
If there’s any soul left in you,
for all the pain that I bore,
answer me honestly,
face to face, outright,
what have you to say of me?

Yet you’ve made everyone believe
the coward and the villain
you know I never was.
I should seek vengeance
so everyone knows the truth,
but I can’t do to you
what you have done to me.
I left without telling anyone
what happened between us.
I knew the good it would do,
for both you and me.
For one person’s misfortune
is another’s laughter,
and I didn’t want anyone
mocking either of us.

Qué tenés que hablar de mi by Abel Aznar

Qué tenés que hablar de mi is a Tango written by Abel Aznar and composed by Leo Lipesker.



Story behind the Tango Qué tenés que hablar de mi

The lyrics of “Qué tenés que hablar de mi” reflect the profound pain of betrayal and misunderstanding. The speaker returns to confront someone who spread lies about him, emphasizing his return as a righteous act, not for revenge, but to seek clarification. This plea for recognition and truth is delivered with a backdrop of disappointment and love betrayed. It appeals to the remnants of a shared past, asking for an honest confrontation about why false statements were made.



Symbolism of Qué tenés que hablar de mi

“Qué tenés que hablar de mi” translates to “What have you to say about me?” This rhetorical question symbolizes the search for dignity and truth against wrongful narratives. Phrases like “sin embargo todos hablan de lo que yo nunca fui,” showcasing how societal gossip can tarnish personal reputation, are pivotal to understanding the tango’s emotional core. The speaker uses direct confrontation, seeking to clear his name and restore his dignity, challenging the whispers that paint him unjustly.



Qué tenés que hablar de mi in Historic Context

The tango was created in 1962, a period of significant social and political upheaval in Argentina. This context enriches the tango’s themes of rumor and betrayal, reflecting possibly wider social distrust. The idea that “la desgracia de unos, es la risa de los otros,” suggesting one’s misfortune as a source of mockery for others, could also hint at the sociopolitical climate where personal failures or downfalls were exploited for entertainment or manipulation.



Abel Aznar

Abel Aznar was an Argentine lyricist famed for his heartfelt and often melancholic lyrics, which deeply resonated within the cultural landscape of Tango during his era.