Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Qué tenés que hablar de mi is a Tango written by Abel Aznar and composed by Leo Lipesker.
The lyrics of “Qué tenés que hablar de mi” reflect the profound pain of betrayal and misunderstanding. The speaker returns to confront someone who spread lies about him, emphasizing his return as a righteous act, not for revenge, but to seek clarification. This plea for recognition and truth is delivered with a backdrop of disappointment and love betrayed. It appeals to the remnants of a shared past, asking for an honest confrontation about why false statements were made.
“Qué tenés que hablar de mi” translates to “What have you to say about me?” This rhetorical question symbolizes the search for dignity and truth against wrongful narratives. Phrases like “sin embargo todos hablan de lo que yo nunca fui,” showcasing how societal gossip can tarnish personal reputation, are pivotal to understanding the tango’s emotional core. The speaker uses direct confrontation, seeking to clear his name and restore his dignity, challenging the whispers that paint him unjustly.
The tango was created in 1962, a period of significant social and political upheaval in Argentina. This context enriches the tango’s themes of rumor and betrayal, reflecting possibly wider social distrust. The idea that “la desgracia de unos, es la risa de los otros,” suggesting one’s misfortune as a source of mockery for others, could also hint at the sociopolitical climate where personal failures or downfalls were exploited for entertainment or manipulation.
Abel Aznar was an Argentine lyricist famed for his heartfelt and often melancholic lyrics, which deeply resonated within the cultural landscape of Tango during his era.