Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Portero suba y diga is a Tango written by Luis César Amadori and composed by Eduardo de Labar (h).
The lyrics of “Portero suba y diga” explore a profound narrative of betrayal, unrequited love, and heartache. The song tells the story of a person who has been deeply hurt by a loved one’s betrayal. Confronting the beloved face-to-face, the lyrics unfold the emotional turmoil and desire for resolution—asking the doorman to relay messages, seeking one final encounter to express this mixture of desperation, love, and grievance.
The title phrase “Portero suba y diga” which translates to “Doorman, go up and tell” symbolizes the barrier between the speaker and the subject of their heartache, indicating a reluctance to confront directly or perhaps an inaccessible emotional distance. Phrases like “para burlarse de mi pasión” (to mock my passion) and “yo he venido a cobrarle su traición” (I have come to collect for her betrayal) use financial metaphors to express emotional debts and betrayals, enriching the narrative with layers of injustice and moral imbalance.
Recorded in 1960 Argentina, “Portero suba y diga” reflects themes common in tango music—love, betrayal, and social dynamics. This period was marked by political and social changes in Argentina, influencing the arts profoundly. Tangos from this era often mirror the emotional and societal flux. The setting in a “garçonnière,” a term used for a bachelor’s apartment, hints at secretive and possibly scandalous romantic encounters, contextualizing the social mores and romantic relationships of the time.
Luis César Amadori was an influential Argentinian lyricist and filmmaker, known for his deep emotional narratives and profound understanding of human passions.