Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Patotero sentimental is a Tango written by Manuel Romero and composed by Manuel Jovés.
The lyrics of “Patotero sentimental” illustrate the life of a man who, despite his jovial facade as the “king of the dance floor” (“rey del bailongo”), hides a deep sadness and regret. The term “patotero” refers to someone who is boisterous or belongs to a gang, which in this context, suggests a tough exterior. However, his revelry masks an unfulfilled desire for a true, loving relationship, highlighted by his encounters with many women but never finding genuine love. The protagonist reflects on a specific woman who loved him deeply—a love he carelessly discarded, and now, with passing years, he experiences remorse and a haunting loneliness.
The poignant transformation of the character from a superficial reveler to a sorrowful soul is marked by symbolic language. Phrases such as “Escondés bajo tu risa muchas ganas de llorar” (You hide under your laughter much desire to cry) and the repeated reference to the false cheer of his laughter as merely a desire to weep powerfully illustrates the duality of his public persona and his private despair. The evocative language conveys a universal theme of the consequences of our choices and the facade we often maintain to conceal true emotions.
Written in the mid-20th century Argentina, “Patotero sentimental” reflects the cultural and societal norms of the time, where machismo was prevalent, and emotions were often suppressed by men. The reference to the protagonist leading a rowdy gang yet suffering internally from his sentimental mistakes underscores the often conflicted identities men grappled with. This Tango, recorded in 1952, juxtaposes the burgeoning cosmopolitan nightlife culture of Buenos Aires, where Tango flourished, against personal tales of sorrow and introspection.
Manuel Romero was an influential figure in Argentinian cinema and music, particularly known for his contributions to the Tango genre.