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Olvidao

Olvidao is a Tango written by Guillermo Barbieri and recorded by Francini-Pontier in 1953. The Tango Olvidao is written by Guillermo Barbieri, Francini-Pontier has recorded Olvidao with the singer Julio Sosa.
“Olvidao” translates to “Forgotten” in English, a title that evokes the haunting whispers of memories left behind. In its melodies, it captures the bittersweet essence of what once was cherished but now lingers as mere echoes in the heart. Through its poignant notes, it speaks of love lost to the tides of time, forever yearning yet beautifully elusive.

Tango

Style

Francini-Pontier

Orchestra

Julio Sosa

Singer

Enrique Cadícamo

Author

Guillermo Barbieri

Composer

1953/2/3

Date

Julio Sosa
Julio Sosa
Francini-Pontier
Francini-Pontier

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Olvidao recorded by other Orchestras

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Lyrics Translation of the Tango Olvidao

This is the translation of the Tango “Olvidao” from Spanish to English. The English lyrics of the Tango “Olvidao” have been done with AI.

Letra del Tango Olvidao

¡Lo mataron al pobre Conteras!

¡Recién se casaba! ¡Si es para no creer!

Juan Luz Mala, saltó la tranquera

y vino a llevarle a su propia mujer…

Fue en el patio e’ la estancia ‘La Hazaña’,

la fiesta ‘e los novios era un esplendor;

mas de pronto dos dagas hicieron,

de aquella alegría un cuadro de horror.



(recitado)

Herido de muerte

y en sangre bañao,

habló de este modo,

el recién casao:



No es nada, mi gaucha;

no te asustes, mi alma…

A los dos peleando,

se nos fue el facón…

Siento que me llega,

un vientito helado,

aquí, de este lado,

sobre el corazón…



Llevame unas flores…

Andá a visitarme…

La tierra es muy fría

pa’ estar olvidao…

¡Adiosita, gaucha,

te estaré esperando!

¡Me voy apagando,

de puro finao!



Al principio fue todo promesas…

La viuda lloraba, sin duda demás;

Pero al fin se le fue la tristeza

y a su pobre gaucho no lo fue a ver más.

¡Con razón que en las noches ‘e tormenta

se escucha patente, la voz del finao,

que la llama diciendo: ¡Lucinda,

estoy muy solito, llegate a mi lao!

English lyrics of the Tango "Olvidao"

They killed poor Conteras!

He had just gotten married! It’s unbelievable!

Juan Luz Mala, jumped the fence

and came to take his own wife…

It happened in the courtyard of ‘La Hazaña’ ranch,

the newlyweds’ party was splendid;

but suddenly two daggers turned

that joy into a scene of horror.

(spoken)

Fatally wounded

and bathed in blood,

he spoke like this,

the newlywed:

It’s nothing, my country girl;

don’t be scared, my love…

While the two of us were fighting,

we lost the knife…

I feel a cold breeze,

here, on this side,

over my heart…

Bring me some flowers…

Come visit me…

The ground is too cold

to be forgotten…

Goodbye, my country girl,

I’ll be waiting for you!

I’m fading away,

purely dying!

At first, it was all promises…

The widow cried, undoubtedly too much;

But eventually, her sadness faded

and she never visited her poor gaucho again.

No wonder on stormy nights

one can clearly hear the voice of the deceased,

calling her: Lucinda,

I’m very lonely, come to my side!

Olvidao by Enrique Cadícamo

Olvidao is a Tango written by Enrique Cadícamo and composed by Guillermo Barbieri.



Story behind the Tango Olvidao

Olvidao, which translates to “Forgotten” in English, narrates a tragic love story set within the context of the rural Argentine lifestyle. The lyrics tell of a newly married man, Conteras, whose life is abruptly ended by Juan Luz Mala, who enters the scene to steal the groom’s wife during their wedding celebration at the estancia ‘La Hazaña’. The song unfolds as a dramatic narrative where festivity turns into a deadly event, encapsulating themes of love, betrayal, and sorrow. In his dying words, Conteras expresses a poignant farewell to his wife, asking her not to forget him and to visit his grave, in a recitado (spoken) section that heightens the emotional impact of the story.



Symbolism of Olvidao

Olvidao is rich in symbolic language that underscores the themes of loneliness, betrayal, and the inevitability of death. The reference to “un vientito helado” (a cold little breeze) symbolizes the chilling embrace of death approaching Conteras, touching his heart and signaling his impending demise. The recurring plea to not be forgotten (“olvidao”) and the urge to bring flowers to his grave signify a deep-seated fear of being erased from memory and a longing for continued relevance even in death. The stormy nights and the echoing voice of the deceased in the final verse underscore the restless spirit left behind, yearning for companionship and recognition.



Olvidao in historic Context

The tango was recorded in 1953, a period marked by significant political and social changes in Argentina. This context of transformation and instability might mirror the personal upheaval depicted in the tango’s narrative. The rural setting of ‘La Hazaña’ typifies the traditional lifestyles that were becoming overshadowed by urbanization and modernity during the mid-20th century in Argentina. The tragic incident at a wedding, a communal celebration turned into a nightmare, could also be interpreted as a metaphor for the societal shifts and the loss of old values and securities.



Enrique Cadícamo

Enrique Cadícamo was a renowned Argentine poet and tango lyricist whose works profoundly influenced the tango genre.