Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Anselmo Acuña el resero is a Tango written by Luis Caruso and composed by Félix Laurenz.
In “Anselmo Acuña el resero,” Luis Caruso tells the story of a humble but proud cattle drover, epitomizing the ‘criollo’ (native-born South American of pure Spanish descent) spirit. Anselmo, characterized by his simplicity and closeness to nature, is portrayed with the soul of a gregarious bird, specifically referenced as a sparrow and a goldfinch—two birds known for their humble appearances but beautiful songs. He exhibits both gentle and robust qualities, much like an ox, symbolizing resilience and strength.
The lyrical structure, with its repeated invocation of cattle (“Tropa, tropa, tropa”) and the heartfelt refrain “no la llores corazón” (do not cry, my heart), taps into themes of pastoral life and personal loss. The references to the female figure with her star-like eyes and black silk braids suggest a deep love, perhaps lost or unattainable, further compounding the sentiment of yearning and nostalgia that imbues the tango. The comparison of her mouth to a ‘breva’ (a type of fig) and a cherry wound intertwine sweetness and pain — symbolic of a romance that is both delightful and heart-wrenching.
Recorded in 1943, during a period of significant social and political change in Argentina, “Anselmo Acuña el resero” reflects aspects of the gaucho lifestyle, a cultural icon in Argentine history known for their free-spirited and nomadic ways, akin to the North American cowboy. This tango, by positioning a resero (cattle drover) as its protagonist, delves into the theme of rural traditions struggling against the encroachment of modernity, while the backdrop of World War II adds a layer of melancholy and the concept of an undying spirit facing adversity.
Luis Caruso is recognized as a lyricist who deeply engaged with Argentine culture and often reflected it in his compositions.