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Nobleza de arrabal

Nobleza de arrabal is a Tango written by Francisco Canaro and recorded by Osvaldo Pugliese in 1966. Osvaldo Pugliese has recorded Nobleza de arrabal as an instrumental Tango.
“Nobleza de arrabal,” which translates to “Nobility of the Slum,” captures the essence of dignity rising from humble origins. It embodies the spirit of resilience and grace found in the vibrant neighborhoods where life is raw yet full of heart. This piece of music celebrates the overlooked beauty and profound strength of those who dance through the hardships of life with elegance.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Homero Manzi, Juan Andrés Caruso

Author

Francisco Canaro

Composer

1966/12/1

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

Discover Other Orchestras

Ángel d’Agostino – Traiga otra caña – 1941/11/12
Ángel d’Agostino – La sonámbula – 1954/1/26
Ángel d’Agostino – Muñequita – 1944/7/19
Ángel d’Agostino – La barranca – 1959/4/24
Ángel d’Agostino – El porteñito – 1943/3/23
Francisco Rotundo – Tata llevame p’al centro – 1957/9/19
Francisco Rotundo – El viejo vals – 1951/12/10
Francisco Rotundo – Levanta la frente – 1953/4/6
Francisco Rotundo – Llorando la carta – 1951/9/10
Francisco Rotundo – Viejo smoking – 1949/1/1
Enrique Francini – Bebiendo contigo – 1959/6/12
Enrique Francini – Yira yira – 1977/1/1
Enrique Francini – La trilla – 1955/11/3
Enrique Francini – Tema otoñal – 1977/1/1
Enrique Francini – Fueron tres años – 1956/7/27
Roberto Firpo – Triste domingo – 1937/3/26
Roberto Firpo – Jueves – 1927/5/19
Roberto Firpo – Medallita de los pobres (Virgencita de Pompeya) – 1929/11/28
Roberto Firpo – Tierra negra – 1927/5/19
Roberto Firpo – De madrugada – 1936/3/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Nobleza de arrabal recorded by other Orchestras

Nobleza de arrabal recorded by other Orchestras

1966/12/6 – Adios Nonino – Anibal Troilo
1966/12/6 – Bailarin compadrito – Anibal Troilo
1966/12/6 – Seleccion de Julio de Caro – Anibal Troilo
1966/11/22 – Me diste un beso – Juan D-Arienzo
1966/11/22 – Bailate un tango Ricardo – Juan D-Arienzo
Nobleza de arrabal – 1940/11/23 – Carlos di Sarli – Instrumental
Nobleza de arrabal – 1966/12/1 – Osvaldo Pugliese – Instrumental
Nobleza de arrabal – 1954/12/1 – Alfredo De Angelis – Carlos Dante

Letra del Tango Nobleza de arrabal

En un ranchito de Alsina
tengo el hogar de mi vida,
con cerco de cina-cina
y corredor de glicinas.
Hay un aljibe pintado,
bajo un parral de uva rosa,
y una camelia mimosa
temblando sobre el brocal.

Y allí también estás frisón
y eres mi lujo de cuarteador.
Rocín feliz, de crin azul,
famoso por todo el sur.
Cuando el domingo asolea
por no hacer de perezoso,
traigo el balde desde el pozo
y refresco el corredor.
Y aprovechando el fresquito
me siento bajo la parra
y al compás de mi guitarra
canto décimas de amor.

En mi ranchito de Alsina
paso tranquilo las horas,
junto al amor de la china,
que me respeta y me adora.
Y, entre su amor y las cosas
que adornan toda mi suerte,
temo, nomás, que la muerte
me saque de ese rincón.

English lyrics of the Tango "Nobleza de arrabal"

In a little ranch in Alsina
lies the home of my life,
with a hedge of cina-cina
and a corridor of wisterias.
There’s a painted water well,
under a grapevine of pink hue,
and a tender camellia
trembling over the well’s edge.

And there you also stand, stout horse,
my pride, great at quartering.
Joyous steed, with mane of blue,
renowned throughout the south.
When Sunday basks in sun
to avoid being lazy,
I bring the bucket from the well
and refresh the corridor.
Taking advantage of the cool
I sit beneath the grapevine
and to the rhythm of my guitar
I sing verses of love.

In my little ranch in Alsina
I peacefully spend the hours,
beside the love of my sweetheart,
who respects and adores me.
And, between her love and the things
that adorn all my luck,
I only fear that death
might take me from that nook.

Nobleza de arrabal by Homero Manzi, Juan Andrés Caruso

Nobleza de arrabal is a Tango written by Homero Manzi, Juan Andrés Caruso and composed by Francisco Canaro.



Story behind the Tango Nobleza de arrabal

The lyrics of “Nobleza de arrabal” provide a vivid portrait of a peaceful, idyllic life in the outskirts or suburbs (arrabal) of Buenos Aires, specifically mentioning Alsina. The song speaks of a humble yet cherished home characterized by rustic charm like a “cina-cina fence” and a pergola of wisteria, underlining a deep connection to nature and simplicity. The presence of a beloved horse and the act of playing guitar under a vine underscore a lifestyle of contentment and harmonious living, away from the urban hustle. This tranquil rural setting serves as a backdrop for a life filled with love and respect, cherished moments with a partner who deeply respects and adores the narrator.



Symbolism of Nobleza de arrabal

The symbolisms in “Nobleza de arrabal” are rooted deeply in natural and straightforward imagery which collectively evokes a sense of purity and genuine values. The ‘ranchito,’ or small farm, represents a humble abode away from the complexities of urban life, implying a noble simplicity. The ‘aljibe pintado’ (painted well) and ‘parral de uva rosa’ (rosy grape vine) suggest not only rustic beauty but also self-sufficiency and nurturing. Music, through the ‘guitarra’ and ‘décimas de amor’ (love verses), symbolizes emotional expression and cultural roots, further emphasizing the emotional richness despite material simplicity.



Nobleza de arrabal in historic Context

The tango “Nobleza de arrabal” was recorded in 1966, a period significant for its political and cultural shifts in Argentina. During this time, the country was experiencing significant urbanization while still holding onto traditional values. The mention of ‘arrabal’ or the outskirts reflects a nostalgic connection to simpler, rural roots amidst the rapid modernization of society. This tango, by romanticizing the pastoral life, perhaps served as a counter-narrative to the era’s prevailing trends of urban-centric views, reminding listeners of the virtues and serenity found in traditional, less urban lifestyles.



Homero Manzi, Juan Andrés Caruso

Homero Manzi and Juan Andrés Caruso were prominent figures in the Argentine tango scene, known for their deep lyrics and contributions to the genre. Their works often reflect a profound narrative of everyday life and emotions.