Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Moneda corriente is a Tango written by Alfredo Bertonasco and composed by Rodolfo Sciammarella.
The lyrics of “Moneda corriente” convey a poignant tale of a young woman whose innocence and beauty are tarnished by harsh experiences. “Tu lindo cuerpo, de virgencita” speaks to her initial purity, likened to that of a virgin, which is ultimately withered by a tough life, as depicted in “La mala vida lo marchitó.” The transformation of her visage, once angelic and now cursed by her indulgences, is heartbreakingly portrayed in the lines “Y en el encanto de tu carita, El placer puso, su maldición.” Bertonasco intricately reflects on the loss of purity and the harsh realities imposed by societal judgments and personal choices.
The title “Moneda corriente,” translating as “common currency,” is deeply symbolic. It suggests how commonly transactional relationships can degrade one’s value to that of mere currency, common and circulated. This symbolism is reinforced by the advice to save any ill-gained wealth “Un tal dinero, de su vileza, Guardá en el Banco, lo que podás,” highlighting the fleeting and corruptible nature of material gain as opposed to the invaluable “treasure of your purity,” which she can never regain, “Ese tesoro, nunca tendrás.”
Written in 1929, a period rich in the cultural development of tango but also marked by social and economic upheaval globally, “Moneda corriente” reflects societal attitudes toward moral decay and personal loss. Its creation during this era allows Bertonasco to critique the moral judgments of society and the personal impacts of economic and social factors on individual lives. During this time, many faced economic hardships, similarly to how the woman in the song inevitably loses her most valued treasure, her purity, due to life’s harsh realities.
Alfredo Bertonasco was a noted lyricist in the era of classic Argentine tango, contributing profound and reflective lyrics to the genre.