Fabrice Knecht Tango DJ

Miente

Miente is a Tango written by and recorded by Roberto Firpo in 1929. Roberto Firpo has recorded Miente as an instrumental Tango.
“Miente” translates to “Lies” in English. This evocative piece spins a tale of deception and longing, where each note weaves through the shadows of truth unspoken. The haunting melody dances with melancholy, revealing the bittersweet nature of a world painted with illusions, where the heart battles the whispers of what’s real and what’s imagined.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Author

Composer

1929/5/8

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

Discover Other Orchestras

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Julio De Caro – El arranque – 1951/1/16
Julio De Caro – El pensamiento – 1942/1/1
Julio De Caro – De rompe y raja – 1930/1/1
Julio De Caro – Virundela – 1935/9/25
Ángel d’Agostino – Hay que vivirla compadre – 1942/9/2
Ángel d’Agostino – El trece – 1943/3/12
Ángel d’Agostino – De pura cepa (2) – 1943/12/5
Ángel d’Agostino – Y te dejé partir – 1943/8/10
Ángel d’Agostino – El cocherito – 1953/9/3
Pedro Laurenz – Como dos extraños – 1968/12/1
Pedro Laurenz – Orgullo criollo – 1968/12/1
Pedro Laurenz – Quedate tranquilo – 1941/12/2
Pedro Laurenz – Como dos extraños – 1940/6/28
Pedro Laurenz – Desconsuelo – 1940/2/21
Osvaldo Fresedo – Resignate hermano – 1928/5/19
Osvaldo Fresedo – Seguirás la caravana – 1928/2/24
Osvaldo Fresedo – Capricho de amor – 1956/1/1
Osvaldo Fresedo – Divina – 1953/12/23
Osvaldo Fresedo – Silbando – 1952/5/13

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1929/5/8 – Falsa alegria – Roberto Firpo
1929/5/2 – Martirios del alma – Roberto Firpo
1929/5/16 – Moneda corriente – Roberto Firpo
1929/5/18 – Alma de bohemio – Orquesta Tipica Victor
1929/5/18 – Dios momo – Orquesta Tipica Victor

Miente recorded by Roberto Firpo


Miente is an instrumental Tango composed by Roberto Firpo, released on 1929-05-08.



Interpretation of Miente

The term “Miente” translates to “Lies” in English. As an instrumental piece, Miente could evoke a sense of intrigue or deception through its complex and emotive melodies. The Tango might start with a gentle and alluring introduction, capturing the listener’s attention and suggesting a hidden undercurrent of mystery. As the orchestra progresses, a crescendo unfolds, illustrating the intensity and emotional turmoil often associated with lies and deceit. The music could explore various tonalities, with sudden shifts and improvisations, symbolizing the unpredictability and chaotic nature of falsehoods. The evocative tones of the bandoneón, strings, and piano together might create an intense emotional landscape, culminating in a dramatic or introspective conclusion, leaving the audience absorbed in reflection.



Roberto Firpo and Miente

Roberto Firpo, renowned for his contributions to the evolution of Tango, brings “Miente” to life with his orchestral interpretation. Firpo’s mastery in merging traditional styles with innovative musical ideas offers a captivating rendition of the piece. His orchestra typically employs a rich blend of instruments, including violins, bandoneóns, and piano, each weaving melodic and rhythmic elements to convey the multi-layered emotions embedded in the piece “Miente.” The orchestra’s performance style, known for its elegance and expressiveness, allows listeners to immerse themselves in the narrative intricacies of the composition, reflecting both the allure and complexity implied by the title “Miente.”