Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Milonguita (Esthercita) is a Tango written by Samuel Linnig and composed by Enrique Delfino.
The lyrics of “Milonguita (Esthercita)” tell the poignant story of a woman, once an innocent young girl in the neighborhood of Chiclana, who has transformed into ‘Milonguita,’ a night flower of cabarets and pleasure. Samuel Linnig portrays the evolution of her life from the girl with braids and sun-kissed cheeks, symbolizing youth and purity, to a woman of the night, grappling with the changes wrought by her circumstances. The recurring flashback query, “¿Te acordás, Milonguita?” serves as a painful reminder of her changed reality and the innocence lost.
The transformation of Esthercita to Milonguita encapsulates the central symbolism within the lyrics—loss of innocence and the harsh impacts of life’s realities. Her childhood symbolized by “la pollera cortona y las trenzas,” is starkly contrasted with her adult life represented by luxurious yet soulless references like “flor de lujo y cabaret.” Esthercita’s longing expressed in the lines “y hoy darías toda tu alma por vestirte de percal” symbolizes a deep yearning to return to a simpler, purer state, possibly unattainable. The refrain of her possibly crying and the suggestion that “¡dicen que es el champán!” portrays societal dismissal of her pain, suggesting her tears are merely a result of drunkenness rather than a deeper despair.
Set in the mid-20th century Argentina, “Milonguita (Esthercita)” reflects aspects of Buenos Aires’ urban culture and the tango scene prevalent during this period. The tango, emerging from the underbelly of Buenos Aires society, often encapsulated tales of love, sorrow, and the struggles of the lower classes. In the narrative, the setting of “Chiclana,” a reference to a locality, ties the story specifically to a recognizable place for the Argentine audience, enhancing the song’s cultural resonance. References to environments like “cabaret” and social dances in “noches de verano” paint a vivid picture of the nighttime leisure scene, which often doubled as a backdrop for deeper personal tragedies and societal critiques.
Samuel Linnig, an Argentine lyricist, is renowned for capturing the essence of early 20th-century Buenos Aires through his tango compositions, focusing particularly on themes of love, despair, and social commentary.