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La mazorquera de Monserrat

La mazorquera de Monserrat is a Tango written by Enrique Maciel and recorded by Domingo Federico in 1947. The Tango La mazorquera de Monserrat is written by Enrique Maciel, Domingo Federico has recorded La mazorquera de Monserrat with the singer Carlos Vidal.
“La mazorquera de Monserrat,” or “The Corn Seller of Monserrat,” carries with it the rich tapestry of tradition and history woven into the fabric of its title. In its music, one feels the rhythm of vibrant markets, where whispers of life’s simple joys and struggles blend with the rustle of corn husks. It captures the essence of community and the enduring spirit of Monserrat.

Tango

Style

Domingo Federico

Orchestra

Carlos Vidal

Singer

Héctor Pedro Blomberg

Author

Enrique Maciel

Composer

1947/4/18

Date

Carlos Vidal
Carlos Vidal
Domingo Federico
Domingo Federico

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Lyrics Translation of the Tango La mazorquera de Monserrat

This is the translation of the Tango “La mazorquera de Monserrat” from Spanish to English. The English lyrics of the Tango “La mazorquera de Monserrat” have been done with AI.

Letra del Tango La mazorquera de Monserrat

Cumplió quince años la primavera

del año rojo de la ciudad,

y la llamaban ‘La Mazorquera’

en todo el barrio de Monserrat.



Eran sus ojos negros, traidores,

y lastimaban como un puñal,

y los sargentos restauradores

le dedicaban ese cantar:



‘Cuida la vida del que te quiera

porque cien dagas lo buscarán

por tus amores de mazorquera

en la parroquia de Monserrat…’



Bajo el rebozo, rojos, sangrientos,

los labios de ella reían más

y las guitarras de los sargentos

así volvían a suspirar:



‘¡Por tus amores degollaría

hasta el porteño más federal!

¡Juan Manuel mismo te adoraría,

oh, Mazorquera de Monserrat!’



Y fue un sargento loco de celos

que hirió una tarde con su puñal,

la daga roja de sus cien duelos,

la Mazorquera de Monserrat.



Llena de sangre, mientras moría,

cayó una estampa de entre su chal,

y en el suspiro de su agonía

el mazorquero creyó escuchar



estas palabras, roncas, llorosas:

‘Sólo a ti amaba…’ Y al expirar

besó en la estampa la faz de Rosas

la Mazorquera de Monserrat.

English lyrics of the Tango "La mazorquera de Monserrat"

Spring turned fifteen

in the red year of the city,

and they called her ‘The Mazorquera’

throughout the Monserrat neighborhood.

Her black, betraying eyes

would wound like a dagger,

and the restoring sergeants

dedicated this song to her:

“Guard the life of the one who loves you

for a hundred daggers will seek him

for your Mazorquera loves

in the parish of Monserrat…”

Under the shawl, red, bloodstained,

her lips laughed even more

and the sergeants’ guitars

would sigh again:

“For your love, I would behead

even the most federal Porteño!

Even Juan Manuel himself would adore you,

oh, Mazorquera of Monserrat!”

And it was a sergeant, mad with jealousy,

who one afternoon with his dagger,

the red dagger of his hundred duels,

wounded the Mazorquera of Monserrat.

Bloodied, as she was dying,

a picture fell from her shawl,

and in the sigh of her agony

the mazorquero thought he heard

these words, hoarse, tearful:

“It was only you I loved…” And as she passed away

she kissed on the picture the face of Rosas

the Mazorquera of Monserrat.

La mazorquera de Monserrat by Héctor Pedro Blomberg

La mazorquera de Monserrat is a Tango written by Héctor Pedro Blomberg and composed by Enrique Maciel.



Story behind the Tango La mazorquera de Monserrat

The song tells the tragic story of a young woman, known as ‘La Mazorquera’, who at the age of fifteen became an iconic figure in the Monserrat neighborhood of Buenos Aires. Her bewitching beauty and the dangerous allure attributed to her eyes made her a figure of desire and dispute among the influential ‘sargentos’ (sergeants) of the time. The lyrics unfold as a narrative of love, jealousy, and violence — culminating in her death by a sergeant, driven mad by jealousy, reflecting the intense personal and political conflicts of the era.



Symbolism of La mazorquera de Monserrat

The symbolism in “La mazorquera de Monserrat” is deeply rooted in the history and culture of Argentina. The mazorquera, literally meaning ‘corn cob vendor’, symbolizes the everyday person caught up in the larger socio-political struggles of the period. Her relationship with the ‘sargentos’, who sing praises of their readiness to kill for her love, mirrors the violent and turbulent time of Juan Manuel de Rosas’ reign, where personal and political loyalties were often contested bloodily. The final scene where she dies holding a picture of Rosas symbolizes a devotion that goes beyond personal affection to ideological alignment, hinting at her possible role and influence in the political landscape of the time.



La mazorquera de Monserrat in historic Context

The tango was recorded in 1947, a significant period in Argentine history marked by the rise of Juan Perón. This context adds a layer of retrospective romanticism and perhaps critique of the cult of personality, drawing a parallel between the historical figure of Rosas and the contemporary context of Perón. Monserrat, a Buenos Aires neighborhood, is historically significant, often serving as a backdrop for tales of political intrigue and social upheavals, which deeply colors the narrative of “La mazorquera de Monserrat.”



Héctor Pedro Blomberg

Héctor Pedro Blomberg was a renowned Argentine lyricist and poet, known for his poignant and historically rich texts set to tango music.