Justo el 31 by Enrique Santos Discépolo

Justo el 31 is a Tango written by Enrique Santos Discépolo and composed by Enrique Santos Discépolo.

Story behind the Tango Justo el 31

The lyrics of “Justo el 31” depict a story of a man who manages, on the last day of the year (December 31st), to escape an unwanted and unfulfilling relationship with a woman he describes in disparaging terms. This narrative is articulated through a mix of humor, irony, and a touch of sadness, illustrating a slice of life that resonates deeply with themes of personal freedom and the human condition.

Symbolism of Justo el 31

The title “Justo el 31” symbolizes a moment of culmination and decision; it’s the end of the year, a time traditionally associated with reflection and change. The use of stark and vivid imagery, such as “se morfó la soga” (she ate the rope), heightens the emotional impact of the narrative, suggesting desperation and the intense desire to escape from suffocating circumstances. The lyrics blend literal and metaphorical meanings to enhance the drama and urgency felt by the protagonist.

Justo el 31 in historic Context

The Tango “Justo el 31” was released in 1953, a period of significant political and social change in Argentina. This era was marked by the rise and fall of influential political figures and a vibrant cultural scene that often reflected the tumultuous socio-political climate. Tango, as a musical genre and dance, often served as a reflection of the lives of ordinary people, their struggles, joys, and sorrows. Discépolo’s work encapsulates this connection, using the Tango to comment on personal liberation against the backdrop of broader societal constraints.

Enrique Santos Discépolo

Enrique Santos Discépolo was a renowned Argentine Tango and Milonga musician and composer, known for his profound and often satirical lyrics that delve into the psychological and social dimensions of Argentine society.