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La cumparsita

La cumparsita is a Tango written by Gerardo Matos Rodriguez and recorded by Horacio Salgán in 211. Horacio Salgán has recorded La cumparsita as an instrumental Tango.
“La Cumparsita,” which translates to “The Little Parade” in English, is a timeless tango that evokes the imagery of a small yet poignant procession through the heart of a bustling city. This piece conjures the nostalgia of lovers and the melancholy of lost opportunities with its evocative melodies. The parade, though miniature, encapsulates a vast array of emotions and stories within its rhythmic steps.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Gerardo Matos Rodriguez

Author

Gerardo Matos Rodriguez

Composer

211/12/1

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

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La cumparsita recorded by other Orchestras

La cumparsita recorded by other Orchestras

La cumparsita – 1943/11/5 – Anibal Troilo – Instrumental
La cumparsita – 1942/11/12 – Carlos di Sarli – Instrumental
La cumparsita – 1951/7/16 – Carlos di Sarli – Instrumental
La cumparsita – (unknown date) – Anibal Troilo – Instrumental
La cumparsita – 1955/6/20 – Carlos di Sarli – Instrumental
La cumparsita – 1963/4/9 – Anibal Troilo – Instrumental
La cumparsita – 1937/12/14 – Juan D-Arienzo – Instrumental
La cumparsita – 1951/9/12 – Juan D-Arienzo – Instrumental
La cumparsita – 1943/11/23 – Juan D-Arienzo – Instrumental
La cumparsita – 1968/9/11 – Cuarteto Anibal TROILO – Instrumental
La cumparsita – 1963/12/10 – Juan D-Arienzo – Instrumental
La cumparsita – 1971/12/7 – Juan D-Arienzo – Instrumental
La cumparsita – 2015/1/1 – Juan D-Arienzo – Instrumental
La cumparsita – 1946/2/8 – Angel d-Agostino – Angel Vargas
La cumparsita – 1964/4/24 – Miguel Calo – Instrumental
La cumparsita – 1927/5/3 – Osvaldo Fresedo – Instrumental
La cumparsita – 1943/6/28 – Osvaldo Fresedo – Instrumental
La cumparsita – 1979/10/30 – Osvaldo Fresedo – Instrumental
La cumparsita – 1926/11/7 – Pedro Laurenz – Instrumental
La cumparsita – 1953/9/22 – Pedro Laurenz – Instrumental
La cumparsita – 1942/9/10 – Rodolfo Biagi – Instrumental
La cumparsita – 1940/11/18 – Ricardo Tanturi – Instrumental
La cumparsita – 1935/5/6 – Edgardo Donato – Instrumental
La cumparsita – 1944/6/3 – Alfredo De Angelis – Nestor Rodi
La cumparsita – 1961/8/29 – Alfredo De Angelis – Instrumental
La cumparsita – 1953/1/22 – Enrique Rodriguez – Instrumental
La cumparsita – 1955/9/16 – Jose Basso – Instrumental
La cumparsita – 1956/7/26 – Jose Basso – Instrumental
La cumparsita – 1961/4/28 – Jose Basso – Instrumental
La cumparsita – 1983/1/1 – Jose Basso –
La cumparsita – 1968/5/2 – Hector Varela – Instrumental
La cumparsita – 1956/11/29 – Hector Varela – Instrumental
La cumparsita – 1954/11/25 – Hector Varela – Instrumental
La cumparsita – 1966/3/21 – Florindo Sassone – Instrumental
La cumparsita – 1973/1/1 – Florindo Sassone – Instrumental
La cumparsita – 1968/5/30 – Florindo Sassone – Instrumental
La cumparsita – 1957/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1951/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1950/5/17 – Osmar Maderna – Instrumental
La cumparsita – 1977/1/1 – Enrique Francini – Instrumental
La cumparsita – 1928/1/11 – Roberto Firpo – Instrumental
La cumparsita – 1917/1/1 – Roberto Firpo – Instrumental
La cumparsita – 1937/7/4 – Cuarteto Tipico Roberto Firpo – Instrumental
La cumparsita – 1973/1/1 – Francini-Pontier – Instrumental
La cumparsita – 1946/12/16 – Francini-Pontier – Alberto Podesta
La cumparsita – 1955/9/13 – Armando Pontier – Instrumental
La cumparsita – 211/12/1 – Horacio Salgan – Instrumental
La cumparsita – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
La cumparsita – 1930/1/1 – Julio De Caro – Instrumental
La cumparsita – 1926/5/12 – Orquesta Tipica Victor – Instrumental

Letra del Tango La cumparsita

La cumparsa

De miserias sin fin

Desfila

En torno de aquel ser

Enfermo

Que pronto ha de morir

De pena.

Por eso es que en su lecho

Solloza acongojado

Recordando el pasado

Que lo hace padecer…



Abandonó a su viejita

Que quedó desamparada,

Y loco de pasión

Ciego de amor

Corrió tras de su amada,

Que era linda, era hechicera

De lujuria era una flor,

Que burló su querer

Hasta que se cansó

Y por otro lo dejó…



Largo tiempo después

Cayó al hogar materno,

Para poder curar su enfermo

Y herido corazón…

Y supo

Que su viejita santa,

La que él había dejado

El invierno pasado

De frío se murió…



Hoy ya solo, abandonado

A lo triste de su suerte,

Ansioso espera a la muerte

Que bien pronto ha de llegar,

Y entre la triste frialdad

Que lenta invade el corazón,

Sintió la cruda sensación

De su maldad…



Entre sombras

Se le oye respirar

Sufriente,

Al que antes de morir

Sonríe

Porque una dulce paz

Le llega…

Sintió que desde el cielo

Su madrecita buena,

Mitigando sus penas

Sus culpas perdonó…!

English lyrics of the Tango "La cumparsita"

The parade

Of endless miseries

Parades

Around that being

Sick

Who is soon to die

Of sorrow.

That is why on his bed

He sobs distressed

Remembering the past

That makes him suffer…

He abandoned his old mother

Who was left helpless,

And mad with passion

Blind with love

He chased after his beloved,

Who was beautiful, was bewitching

A flower of lust,

Who mocked his love

Until she grew tired

And left him for another…

Long time afterward

He returned to his mother’s home,

To heal his sick

And wounded heart…

And he learned

That his saintly little mother,

Whom he had left

Last winter,

Died of cold…

Now alone, abandoned

To his sad fate,

He anxiously awaits death

Which will soon come,

And amid the sad coldness

That slowly invades the heart,

He felt the harsh feeling

Of his wickedness…

Among shadows

He is heard breathing

In suffering,

To whom before dying

Smiles

Because a sweet peace

Comes to him…

He felt that from heaven

His good little mother,

Easing his pains

Forgave his sins…!

La cumparsita by Gerardo Matos Rodriguez

La cumparsita is a Tango written by Gerardo Matos Rodriguez and composed by Gerardo Matos Rodriguez.



Story behind the Tango La cumparsita

“La cumparsita” tells a tragic narrative of love, betrayal, and remorse. Its lyrics showcase a man reflecting on his life’s mistakes as he faces death. The story weaves through his abandonment of his old mother (“su viejita”) for a passionate love affair with a woman who eventually leaves him. As his health and emotional state decline, he returns home only to find that his mother has died. The Tango encapsulates the profound sadness of realizing too late the consequences of one’s actions and facing loneliness and despair as the end nears.



Symbolism of La cumparsita

The phrase “De miserias sin fin” symbolizes the endless miseries of life, emphasizing the cyclical pattern of emotional and physical pain. The repeated reference to the past and its resultant suffering highlights the concept of karma and the inevitability of consequences. The imagery of cold (“De frío se murió…”) often symbolizes loneliness and death. Moreover, the final redemption suggested by the mother’s forgiveness from heaven stands as a poignant symbol of unconditional love and forgiveness transcending the barriers of life and death.



La cumparsita in historic Context

“La cumparsita” was written early in the 20th century when Tango was evolving in Argentina, echoing the societal transitions and hardships of that era. Initially composed as an instrumental piece, its later lyrics added narrative depth, resonant with the dramatic, emotionally charged atmosphere of Tango dance halls that often depicted narratives of despair, loss, and nostalgia. The setting of early 20th-century Argentina, a melting pot of cultures and individuals facing rapid urbanization, reflects in the lyrics’ raw and poignant narrative.



Gerardo Matos Rodriguez

Gerardo Matos Rodriguez was a Uruguayan musician and composer, credited with creating one of the most famous Tangos globally, “La cumparsita.”