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La cumparsita

La cumparsita is a Tango written by Gerardo Matos Rodriguez and recorded by Florindo Sassone in 1968. Florindo Sassone has recorded La cumparsita as an instrumental Tango.
“La Cumparsita,” which translates to “The Little Parade” in English, is a poignant tango that captures the fleeting moments of life and love. The music evokes the bittersweet dance of memories, where each note seems to commemorate the march of time and the delicate passage of joy and sorrow. Its melody, like a tender procession, speaks to the heart’s deepest echoes.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Gerardo Matos Rodriguez

Author

Gerardo Matos Rodriguez

Composer

1968/5/30

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

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La cumparsita recorded by other Orchestras

La cumparsita recorded by other Orchestras

La cumparsita – 1943/11/5 – Anibal Troilo – Instrumental
La cumparsita – 1942/11/12 – Carlos di Sarli – Instrumental
La cumparsita – 1951/7/16 – Carlos di Sarli – Instrumental
La cumparsita – (unknown date) – Anibal Troilo – Instrumental
La cumparsita – 1955/6/20 – Carlos di Sarli – Instrumental
La cumparsita – 1963/4/9 – Anibal Troilo – Instrumental
La cumparsita – 1937/12/14 – Juan D-Arienzo – Instrumental
La cumparsita – 1951/9/12 – Juan D-Arienzo – Instrumental
La cumparsita – 1943/11/23 – Juan D-Arienzo – Instrumental
La cumparsita – 1968/9/11 – Cuarteto Anibal TROILO – Instrumental
La cumparsita – 1963/12/10 – Juan D-Arienzo – Instrumental
La cumparsita – 1971/12/7 – Juan D-Arienzo – Instrumental
La cumparsita – 2015/1/1 – Juan D-Arienzo – Instrumental
La cumparsita – 1946/2/8 – Angel d-Agostino – Angel Vargas
La cumparsita – 1964/4/24 – Miguel Calo – Instrumental
La cumparsita – 1927/5/3 – Osvaldo Fresedo – Instrumental
La cumparsita – 1943/6/28 – Osvaldo Fresedo – Instrumental
La cumparsita – 1979/10/30 – Osvaldo Fresedo – Instrumental
La cumparsita – 1926/11/7 – Pedro Laurenz – Instrumental
La cumparsita – 1953/9/22 – Pedro Laurenz – Instrumental
La cumparsita – 1942/9/10 – Rodolfo Biagi – Instrumental
La cumparsita – 1940/11/18 – Ricardo Tanturi – Instrumental
La cumparsita – 1935/5/6 – Edgardo Donato – Instrumental
La cumparsita – 1944/6/3 – Alfredo De Angelis – Nestor Rodi
La cumparsita – 1961/8/29 – Alfredo De Angelis – Instrumental
La cumparsita – 1953/1/22 – Enrique Rodriguez – Instrumental
La cumparsita – 1955/9/16 – Jose Basso – Instrumental
La cumparsita – 1956/7/26 – Jose Basso – Instrumental
La cumparsita – 1961/4/28 – Jose Basso – Instrumental
La cumparsita – 1983/1/1 – Jose Basso –
La cumparsita – 1968/5/2 – Hector Varela – Instrumental
La cumparsita – 1956/11/29 – Hector Varela – Instrumental
La cumparsita – 1954/11/25 – Hector Varela – Instrumental
La cumparsita – 1966/3/21 – Florindo Sassone – Instrumental
La cumparsita – 1973/1/1 – Florindo Sassone – Instrumental
La cumparsita – 1968/5/30 – Florindo Sassone – Instrumental
La cumparsita – 1957/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1951/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1950/5/17 – Osmar Maderna – Instrumental
La cumparsita – 1977/1/1 – Enrique Francini – Instrumental
La cumparsita – 1928/1/11 – Roberto Firpo – Instrumental
La cumparsita – 1917/1/1 – Roberto Firpo – Instrumental
La cumparsita – 1937/7/4 – Cuarteto Tipico Roberto Firpo – Instrumental
La cumparsita – 1973/1/1 – Francini-Pontier – Instrumental
La cumparsita – 1946/12/16 – Francini-Pontier – Alberto Podesta
La cumparsita – 1955/9/13 – Armando Pontier – Instrumental
La cumparsita – 211/12/1 – Horacio Salgan – Instrumental
La cumparsita – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
La cumparsita – 1930/1/1 – Julio De Caro – Instrumental
La cumparsita – 1926/5/12 – Orquesta Tipica Victor – Instrumental

Letra del Tango La cumparsita

La cumparsa

De miserias sin fin

Desfila

En torno de aquel ser

Enfermo

Que pronto ha de morir

De pena.

Por eso es que en su lecho

Solloza acongojado

Recordando el pasado

Que lo hace padecer…



Abandonó a su viejita

Que quedó desamparada,

Y loco de pasión

Ciego de amor

Corrió tras de su amada,

Que era linda, era hechicera

De lujuria era una flor,

Que burló su querer

Hasta que se cansó

Y por otro lo dejó…



Largo tiempo después

Cayó al hogar materno,

Para poder curar su enfermo

Y herido corazón…

Y supo

Que su viejita santa,

La que él había dejado

El invierno pasado

De frío se murió…



Hoy ya solo, abandonado

A lo triste de su suerte,

Ansioso espera a la muerte

Que bien pronto ha de llegar,

Y entre la triste frialdad

Que lenta invade el corazón,

Sintió la cruda sensación

De su maldad…



Entre sombras

Se le oye respirar

Sufriente,

Al que antes de morir

Sonríe

Porque una dulce paz

Le llega…

Sintió que desde el cielo

Su madrecita buena,

Mitigando sus penas

Sus culpas perdonó…!

English lyrics of the Tango "La cumparsita"

The parade

Of endless miseries

Marches

Around that being

Sick

Who soon will die

Of sorrow.

That’s why on his bed

He weeps distressed

Remembering the past

That causes him to suffer…

He left his old mother

Who was left helpless,

And mad with passion

Blind with love

He ran after his beloved,

Who was beautiful, was bewitching

A flower of lust,

Who mocked his love

Until she grew tired

And left him for another…

Long time after

He returned to his mother’s home,

To heal his sick

And wounded heart…

And he learned

That his saintly little mother,

Whom he had left

Last winter

Died of cold…

Today, now alone, abandoned

To the sadness of his fate,

Eagerly waiting for death

That is soon to come,

And amid the sad coldness

Slowly seizing his heart,

He felt the harsh sensation

Of his evil…

Among shadows

He is heard breathing

Suffering,

To whom before dying

Smiles

Because sweet peace

Comes to him…

He felt that from heaven

His good little mother,

Easing his pains

Forgave his faults…!

La cumparsita by Gerardo Matos Rodríguez

La cumparsita is a Tango written by Gerardo Matos Rodríguez and composed by Gerardo Matos Rodríguez.


Story behind the Tango La cumparsita

“La cumparsita” paints a sorrowful story of a man who, overwhelmed by misguided passions, suffers the consequences of his actions. Initially abandoning his mother for an enchanting, though ultimately deceitful lover, he returns home too late, only to find that his mother has died from cold. Filled with regret and awaiting his own death, he yearns for forgiveness, which he feels is granted from beyond by his mother, bringing a semblance of peace to his final moments.



Symbolism of La cumparsita

The tango uses potent symbols to deepen the narrative’s emotional impact. “La cumparsa de miserias sin fin,” or the parade of endless miseries, symbolizes the protagonist’s continuous and varied sufferings. The cold that kills his mother metaphorically represents the emotional coldness of his abandonment, culminating in physical and spiritual ramifications. The eventual forgiveness from his mother represents salvation and peace, contrasting the emotional turmoil he endures.



La cumparsita in historic Context

Recorded in 1968 in Argentina, “La cumparsita” by Gerardo Matos Rodríguez emerged during a vibrant era for Latin American music, yet also a time of social and political unrest. The tango, melodically and lyrically rich, might be seen as reflective of the larger narrative of human suffering and redemption, themes that resonate universally but were particularly poignant in the region’s complex cultural backdrop. This piece, therefore, not only captures personal regret but also echoes the societal yearning for change and reconciliation.



Gerardo Matos Rodríguez

Gerardo Matos Rodríguez was a notable Uruguayan musician and composer, renowned primarily for creating the famous tango piece “La cumparsita,” which has become one of the most recognizable melodies in tango music worldwide.