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Guitarra (2)

Guitarra (2) is a Tango written by Miguel Bucino and recorded by Juan D’Arienzo in 1967. The Tango Guitarra (2) is written by Miguel Bucino, Juan D’Arienzo has recorded Guitarra (2) with the singer Armando Laborde.
The piece titled “Guitarra (2)” translates to “Guitar (2)” in English. This evocative name hints at the instrument’s second voice, a soulful melody that resonates deep within. Each strum and caress of the strings weaves tales of longing and love, echoing the timeless dance between heart and hands.

Tango

Style

Juan D'Arienzo

Orchestra

Armando Laborde

Singer

Author

Miguel Bucino

Composer

1967/10/30

Date

Armando Laborde
Armando Laborde
Juan D'Arienzo
Juan D’Arienzo

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1967/10/30 – Buscate un amorcito – Juan D-Arienzo
1967/10/30 – D-Arienzo vos sos el rey – Juan D-Arienzo
1967/10/30 – Sin explicacion – Juan D-Arienzo
1967/10/31 – Baldosa floja – Florindo Sassone
1967/10/31 – Rosa de Tokyo – Florindo Sassone

Lyrics Translation of the Tango Guitarra (2)

This is the translation of the Tango “Guitarra (2)” from Spanish to English. The English lyrics of the Tango “Guitarra (2)” have been done with AI.

Guitarra (2) recorded by Juan D’Arienzo


Guitarra (2) is an instrumental Tango composed by Miguel Bucino.



Interpretation of Guitarra (2)

The name “Guitarra (2)” translates to “Guitar (2)” in English, evoking imagery of a second guitar or a unique take on the classic instrument. As an instrumental, it likely features the guitar prominently, perhaps exploring its sounds through the characteristic rhythms and passionate style of tango.



Juan D’Arienzo and Guitarra (2)

Known as “El Rey del Compas” (The King of the Beat), Juan D’Arienzo brings his signature vibrant and dynamic interpretation to “Guitarra (2).” His orchestra, famous for its brisk and rhythmic style, enhances the nuances of the guitar, possibly highlighting the intricate dance between strings and the rhythmic sections, typical of D’Arienzo’s energetic performances.