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Negro

Negro is a Tango written by Adolfo Mondino and recorded by Orquesta Típica Victor in 1926. Orquesta Típica Victor has recorded Negro as an instrumental Tango.
“Negro,” meaning “Black” in English, is both the color of shadows and the hue of deep, hidden passion. It evokes the mystery of a moonless night, where secrets dance to the rhythm of longing. This title captures the elegance and intensity of a tango, whispering tales of love’s complexities and desires that linger in the dark.

Tango

Style

Orquesta Típica Victor

Orchestra

Instrumental

Singer

Víctor Soliño

Author

Adolfo Mondino

Composer

1926/6/7

Date

Instrumental
Instrumental
Orquesta Típica Victor
Orquesta Típica Victor

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Horacio Salgán Y Dante Amicarelli – Malambo de las campanas – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Pimienta – 1971/1/1
Horacio Salgán Y Dante Amicarelli – El bosque mágico – 1971/1/1
Armando Pontier – La gayola – 1957/7/22
Armando Pontier – Tengo miedo – 1958/6/12
Armando Pontier – Miedo (2) – 1966/12/22
Armando Pontier – Locura locura – 1961/6/8
Armando Pontier – Esa es la puerta – 1969/8/11
Ricardo Malerba – La piba de los jazmines – 1943/1/18
Ricardo Malerba – Bailarina – 1958/1/1
Ricardo Malerba – Oiga mozo – 1942/11/19
Ricardo Malerba – Siglo veinte – 1945/4/4
Ricardo Malerba – Amor con amor se paga – 1944/6/30
Julio De Caro – La rayuela – 1941/1/1
Julio De Caro – Moulin rouge – 1953/4/10
Julio De Caro – Aromas – 1928/6/18
Julio De Caro – Risa loca – 1926/12/16
Julio De Caro – Boedo – 1928/11/16

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Negro recorded by other Orchestras

Negro recorded by other Orchestras

1926/6/7 – Retintin – Orquesta Tipica Victor
1926/6/9 – Ivette – Julio De Caro
1926/6/9 – La rayuela – Julio De Caro
1926/6/16 – Alla en el bajo – Julio De Caro
1926/6/17 – Ojos que brillan – Orquesta Tipica Victor
Negro – 1926/11/24 – Pedro Laurenz – Instrumental
Negro – 1926/6/7 – Orquesta Tipica Victor – Instrumental

Letra del Tango Negro

Nada turbaba la paz de mi dicha,
alegremente, sin penas vivía,
en mi piecita reinaba tan solo
la luz y la alegría;
era un nido de amor.
Con su cariño vivía tranquila,
era feliz, cuando él me besaba.
Mi corazón
de placer rebozaba,
no había en mi cielo
ni un nubarrón.

Pero una tarde, de triste recuerdo,
atormentada por un mal consejo
y sin pensar en el mal que me causaba
abandoné a mi viejo,
perdí mi bienestar.
No hallo consuelo que calme mi pena,
hoy lloro y sufro mi error de aquel día;
en mi vivir
se acabó la alegría,
y como en sueños
suelo decir:

¡Negro!… Quiero… adorarte así toda la vida.
¡Negro!… Quiero… que me beses siempre con amor.
¡Negro!… Quiero… estar a tu lado eternamente.
¡Negro!… Quiero… que nunca termine nuestro ardor.

English lyrics of the Tango "Negro"

Nothing disturbed the peace of my joy,
happily, without sorrows I lived,
in my little room reigned only
light and happiness;
it was a love nest.
With his affection I lived peacefully,
I was happy, when he kissed me.
My heart
overflowed with pleasure,
there was not a single cloud
in my sky.

But one evening, of sad memory,
tormented by bad advice
and without thinking of the harm it caused me
I left my beloved,
lost my well-being.
I can’t find comfort to soothe my sorrow,
today I cry and suffer my mistake of that day;
in my life
the joy has ended,
and as in dreams
I often say:

Blackie!… I want… to adore you like this all my life.
Blackie!… I want… you to always kiss me with love.
Blackie!… I want… to be by your side forever.
Blackie!… I want… our passion never to end.

Negro by Víctor Soliño

Negro is a Tango written by Víctor Soliño and composed by Adolfo Mondino.



Story behind the Tango Negro

The lyrics of “Negro” narrate a poignant tale of love, regret, and longing. It opens with a depiction of a tranquil life filled with joy and light, where love reigns supreme in what is described as a ‘nest of love.’ The narrator shares memories of a peaceful existence with her beloved, marked by affection and happiness. However, the atmosphere shifts dramatically following a fateful afternoon influenced by poor advice, leading to the abandonment of her partner. The consequences are immediate and severe, transforming her life from one of happiness to one of sorrow and regret. The recurring term “Negro,” used as a term of endearment, underscores the depth of her affection and her deep longing to return to those moments of bliss.



Symbolism of Negro

The use of “Negro” in the lyrics is a powerful symbol of intense, undying love. The term is repeated emphatically, illustrating the deep emotional connection and the profound regret felt by the narrator. This endearment reflects a cherished intimacy and a wish to return to a past filled with love and happiness. The contrast between the bright, joyous past and the dark, regretful presence enhances the emotional impact of the narrative, with “Negro” serving as a beacon of what once was and what is fervently wished for again.



Negro in historic Context

Produced in Argentina in 1926, “Negro” emerges during a period rich in cultural and artistic development. Tango was evolving, deeply entwined with the Argentine identity, reflecting the emotions, struggles, and stories of its people. During this era, themes of love, loss, and nostalgia were prevalent, mirroring the socio-economic conditions of Buenos Aires, where migration and displacement contributed to a melting pot of emotions and stories. This background influences the melancholic tone and thematic focus on loss and regret, as these were common emotional threads among those experiencing rapid societal changes.



Víctor Soliño

Víctor Soliño was an influential lyricist and composer in the golden era of Argentine Tango, renowned for encapsulating complex emotions in concise, poignant lyrics.