Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Era de ley is a Tango written by Emilio Falero and composed by Virgilio Carmona.
The lyrics of “Era de ley” revolve around themes of gambling, honor, love, and rivalry woven into the cultural fabric of Argentina. The story narrated within the lines is a dramatic saga of a love triangle, where the protagonist competes with another man (referred to as “cuñado”, meaning brother-in-law in English) for the love of a woman. This competition, however, is metaphorically related to a card game, a common practice in Argentine culture for resolving conflicts and proving one’s honor.
The climax of the lyrics suggests a resolution where the singer addresses his rival as family, indicating possibly that the dispute was settled amicably and without resulting in violence, contrary to what might be expected from a “duel for a woman’s love”.
In “Era de ley”, playing cards symbolize life’s different stakes and decisions. Phrases like “Juegue, sea buen jugador” (Play, be a good player) and “Fui más jugador, por eso he ganado” (I was more of a player, that’s why I won) highlight this comparison. The mention of specific gameplay terms like “falta envido” suggests employing strategy and bluffing as life strategies. Furthermore, the call for a drink “pa´ todos yo pago” (for everyone I’ll pay) at the resolution serves as a symbol of celebration and reconciliation, turning a potential conflict into a communal celebration.
Released in 1928 in Argentina, “Era de ley” touches on societal values prevalent in the early 20th century Argentine society—honor, courage, and public reputation. These were times when Tango was not just a dance or music form but a reflection of everyday life and emotions of the working class. References to tangible terms like “cuñado” and the informal tone point towards a narrative deeply embedded in personal relations and societal norms of the era. The approach to conflict resolution through games, and the communal drinking suggests a community-centric approach to life’s issues, which was characteristic of Argentine society of the time.
Specifically, the song insinuates that maintaining one’s honor and standing was crucial and had to be safeguarded or fought for, whether in romance or in everyday life.
Emilio Falero is known for his contributions to the world of Tango, offering narratives that resonate with everyday experiences of the Argentine populace.