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Era de ley

Era de ley is a Tango written by Virgilio Carmona and recorded by Roberto Firpo in 1928. The Tango Era de ley is written by Virgilio Carmona, Roberto Firpo has recorded Era de ley with the singer Teófilo Ibáñez.
“Era de ley,” translates to “It Was Law” in English. This evocative name suggests a time when rules and principles were unyielding, framing the rhythm of life with an inescapable tango of fate. The melody weaves a story of honor and duty, where every note echoes the gravity of promises made and the dance of unspoken commitments.

Tango

Style

Roberto Firpo

Orchestra

Teófilo Ibáñez

Singer

Emilio Falero

Author

Virgilio Carmona

Composer

1928/3/8

Date

Teófilo Ibáñez
Teófilo Ibáñez
Roberto Firpo
Roberto Firpo

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Era de ley recorded by other Orchestras

Era de ley recorded by other Orchestras

Lyrics Translation of the Tango Era de ley

This is the translation of the Tango “Era de ley” from Spanish to English. The English lyrics of the Tango “Era de ley” have been done with AI.

Letra del Tango Era de ley

Juegue, sea buen jugador

Y si tiene flor, contraflor al resto.

No se me achique por eso

Que al truco juego mejor.

Mano se dio en tanteador,

Y que dé el señor

Que aquí yo lo espero,

“Falta envido” dijo: “Quiero”…

Ya le gané compañero

De mano, con treinta y dos.



Bueno amigo, le gané

Como le apure al dolor,

Siempre fui buen jugador

Por eso no me asusté.

Con todo así le jugué

Mi propia vida y honor,

Fue en pecado el amor

De una preciosa mujer.



Ella me lo dijo ayer:

“A los dos no puedo amar,

se tendrán que disputar

mi cariño de mujer.

Eso sí, para vencer

no es necesario matar,

porque nunca le he de dar

a un criminal, mi querer.”



Era de ley, sí señor

Fui más jugador, por eso he ganado,

No se inquiete, cuñado

Y no me guarde rencor.

Sirva patrón, por favor

La vuelta ´e licor, pa´ todos yo pago,

Que eso bien merece un trago

Y hagan todos como yo hago…

Bebamos por el amor.

English lyrics of the Tango "Era de ley"

Play, be a good player

And if you have a good hand, raise the stakes.

Don’t be diminished by that

For I play tricks better.

The hand is dealt on the scoreboard,

And let Him deal

For here I wait,

“I raise” he said: “I accept”…

I already won, partner

In hand, with thirty-two.

Well friend, I’ve beaten you

As I rushed the pain,

I’ve always been a good player

That’s why I wasn’t scared.

With everything, I gambled

My own life and honor,

In sin was the love

Of a beautiful woman.

She told me yesterday:

“I cannot love both,

You will have to compete

For my womanly affection.

However, to win

It’s not necessary to kill,

Because I will never give

My love to a criminal.”

It was fair, yes sir

I gambled more, that’s why I won,

Don’t worry, brother-in-law

And don’t hold a grudge against me.

Serve, boss, please

Another round of drinks, on me,

That surely deserves a drink

And do as I do…

Let’s drink to love.

Era de ley by Emilio Falero

Era de ley is a Tango written by Emilio Falero and composed by Virgilio Carmona.



Story behind the Tango Era de ley

The lyrics of “Era de ley” revolve around themes of gambling, honor, love, and rivalry woven into the cultural fabric of Argentina. The story narrated within the lines is a dramatic saga of a love triangle, where the protagonist competes with another man (referred to as “cuñado”, meaning brother-in-law in English) for the love of a woman. This competition, however, is metaphorically related to a card game, a common practice in Argentine culture for resolving conflicts and proving one’s honor.

The climax of the lyrics suggests a resolution where the singer addresses his rival as family, indicating possibly that the dispute was settled amicably and without resulting in violence, contrary to what might be expected from a “duel for a woman’s love”.



Symbolism of Era de ley

In “Era de ley”, playing cards symbolize life’s different stakes and decisions. Phrases like “Juegue, sea buen jugador” (Play, be a good player) and “Fui más jugador, por eso he ganado” (I was more of a player, that’s why I won) highlight this comparison. The mention of specific gameplay terms like “falta envido” suggests employing strategy and bluffing as life strategies. Furthermore, the call for a drink “pa´ todos yo pago” (for everyone I’ll pay) at the resolution serves as a symbol of celebration and reconciliation, turning a potential conflict into a communal celebration.



Era de ley in historic Context

Released in 1928 in Argentina, “Era de ley” touches on societal values prevalent in the early 20th century Argentine society—honor, courage, and public reputation. These were times when Tango was not just a dance or music form but a reflection of everyday life and emotions of the working class. References to tangible terms like “cuñado” and the informal tone point towards a narrative deeply embedded in personal relations and societal norms of the era. The approach to conflict resolution through games, and the communal drinking suggests a community-centric approach to life’s issues, which was characteristic of Argentine society of the time.

Specifically, the song insinuates that maintaining one’s honor and standing was crucial and had to be safeguarded or fought for, whether in romance or in everyday life.



Emilio Falero

Emilio Falero is known for his contributions to the world of Tango, offering narratives that resonate with everyday experiences of the Argentine populace.