Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El porteñito is a Tango written by Ángel Villoldo and composed by Ángel Villoldo.
“El porteñito,” with its verses capturing the essence of Buenos Aires, portrays a character deeply engrossed in the local culture. The lyrics reveal a proud native of Buenos Aires, referring to himself as “El porteñito,” an endearing term suggesting both his origins and his expert standing in the tango community. This character prides himself on his unmatched abilities in the dance, particularly dancing the inherently Argentine “tango criollo.” The repeated act of dancing becomes not just a display of skill but a celebration of his identity and connection to his city.
The term “El Porteñito” itself symbolizes the quintessential inhabitant of Buenos Aires, embodying the flair and spirit of the city. Dancing, a central motif in the lyrics, acts as a powerful symbol of self-expression and cultural heritage. When he describes his dance, using phrases like “cuando me pongo a bailar” (when I begin to dance) it underscores the transformation from the ordinary to extraordinary, showcasing pride and mastery.
Recorded in 1951, “El porteñito” reflects a Buenos Aires that revered the art of tango as a symbol of national identity. During this period, tango was seeing a resurgence, often romanticized as the expression of the Argentine soul. The reference to being “un taura del noventa” (a tough guy from the nineties) uses the 1890s as a historical backdrop for the character, illustrating the long-standing tradition of tango and the gritty, vibrant urban life from which it sprang.
Ángel Villoldo was an Argentine musician and one of the chief pioneers of the tango, often regarded as the “father of tango.”