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El porteñito

El porteñito is a Milonga written by Ángel Villoldo and recorded by Cuarteto Típico Roberto Firpo in 1951. Cuarteto Típico Roberto Firpo has recorded El porteñito as an instrumental Milonga.
“El porteñito,” translated as “The Little One from Buenos Aires,” captures the vibrant, soulful spirit of its namesake city. It evokes the bustling streets and the passion found in every corner of Buenos Aires, where life dances to the rhythm of cultures converging. This title pays homage to the youthful energy and charm of the city’s inhabitants, affectionately known as “porteños.”

Milonga

Style

Cuarteto Típico Roberto Firpo

Orchestra

Instrumental

Singer

Ángel Villoldo

Author

Ángel Villoldo

Composer

1951/11/7

Date

Instrumental
Instrumental
Cuarteto Típico Roberto Firpo
Cuarteto Típico Roberto Firpo

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El porteñito recorded by other Orchestras

El porteñito recorded by other Orchestras

Letra del Milonga El porteñito

Soy nacido en Buenos Aires,

me llaman “El porteñito”,

el criollo más compadrito

que en esta tierra nació.



Y al bailar un tango criollo

no hay ninguno que me iguale

porque largo todo el rollo

cuando me pongo a bailar.



Anda que está lindo el baile!

brindase comadre,

y el compadre…



Soy un taura del noventa,

tiempo bravo del tambito,

bailarín de mucha meta por más seña “El Porteñito”

y al bailar un tango bravo,

lo hago con corte y quebrada

para dejar bien sentada mi fama de bailarín.

English lyrics of the Milonga "El porteñito"

I was born in Buenos Aires,
they call me “El Porteñito”,
the most native son,
born compadrito of this land.

And when dancing a criollo tango,
there’s no one who can match me
for I fully unveil my flair
whenever I start to dance.

Look how beautiful the dance is!
Cheers, comadre,
and compadre…

I am a tough guy from the nineties,
from the rough times of the tambito,
a dancer with much aim, famously known as “El Porteñito”.
And when dancing a fierce tango,
I do it with stops and breaks,
just to firmly establish my reputation as a dancer.

El porteñito by Ángel Villoldo

El porteñito is a Tango written by Ángel Villoldo and composed by Ángel Villoldo.

Story behind the Tango El porteñito

“El porteñito,” with its verses capturing the essence of Buenos Aires, portrays a character deeply engrossed in the local culture. The lyrics reveal a proud native of Buenos Aires, referring to himself as “El porteñito,” an endearing term suggesting both his origins and his expert standing in the tango community. This character prides himself on his unmatched abilities in the dance, particularly dancing the inherently Argentine “tango criollo.” The repeated act of dancing becomes not just a display of skill but a celebration of his identity and connection to his city.



Symbolism of El porteñito

The term “El Porteñito” itself symbolizes the quintessential inhabitant of Buenos Aires, embodying the flair and spirit of the city. Dancing, a central motif in the lyrics, acts as a powerful symbol of self-expression and cultural heritage. When he describes his dance, using phrases like “cuando me pongo a bailar” (when I begin to dance) it underscores the transformation from the ordinary to extraordinary, showcasing pride and mastery.



El porteñito in historic Context

Recorded in 1951, “El porteñito” reflects a Buenos Aires that revered the art of tango as a symbol of national identity. During this period, tango was seeing a resurgence, often romanticized as the expression of the Argentine soul. The reference to being “un taura del noventa” (a tough guy from the nineties) uses the 1890s as a historical backdrop for the character, illustrating the long-standing tradition of tango and the gritty, vibrant urban life from which it sprang.



Ángel Villoldo

Ángel Villoldo was an Argentine musician and one of the chief pioneers of the tango, often regarded as the “father of tango.”