Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Derecho viejo is a Tango written by Gabriel Clausi and composed by Eduardo Arolas.
The lyrics of “Derecho viejo” capture a profound nostalgia and melancholy, inherent to the traditional Tango. Its narrative delves into the essence of Buenos Aires’ urban landscape, tinged with emotions of love and loss. The phrase “Tango de mi ciudad, malevo y sensual,” sets the tone, indicating that this is a Tango intrinsic to the city, embodying both a rogue (malevo) and sensual character. This duality could symbolize the blend of toughness and tenderness that defines the city itself. Furthermore, the words “canción sin igual que hace sentir con tanta pasión en el corazón su abrazo de amor” evoke a deep emotional connection, highlighting the Tango’s ability to make one feel the embrace of love through its unique song.
The recurring use of the bandoneón in the lyrics stands as a significant symbol. Described as lamenting a lost love through its song, the instrument personifies the sorrow and unattained desires evident throughout the Tango. The lines “Oigo el cantar de un triste bandoneón, que llora en su canción la pena de un amor” emphasize this symbolism, with the bandoneón’s music almost crying over unfulfilled love, enhancing the song’s emotional depth. Also, “Derecho viejo,” which translates to “Old Right,” could signify an old-fashioned, staunch kind of integrity, perhaps reflecting the enduring and unwavering nature of the Tango or the perennial spirit of the city’s traditions.
“Derecho viejo” was recorded in Argentina in 1934, a period when Tango was intertwined deeply with the local culture, often reflecting social narratives of the middle and lower classes. During this era, Tango was evolving, becoming more orchestral, and finding a place in urban nightlife. This historical context adds richness to the lyrics, as the Tango serves as a repository for collective emotional experiences, particularly those tied to the urban settings and life’s complicated relationships as depicted in old Buenos Aires’ neighborhoods.
Gabriel Clausi, also known as “El Chula,” was a notable figure in the Argentine Tango scene, contributing significantly as a bandoneonist and composer.