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Ojos negros

Ojos negros is a Tango written by Vicente Greco and recorded by Horacio Salgán in 1963. Horacio Salgán has recorded Ojos negros as an instrumental Tango.
“Ojos Negros,” meaning “Black Eyes” in English, evokes a sense of mystery and allure in its notes. The name conjures images of deep, expressive eyes that hold untold stories and emotions, captivating all who dare to gaze into them. Through its melody, the piece unveils the passion and melancholy that lie within the depths of such enigmatic eyes.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Pedro Numa Cordoba

Author

Vicente Greco

Composer

1963/1/1

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

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Ojos negros recorded by other Orchestras

Ojos negros recorded by other Orchestras

Letra del Tango Ojos negros

Ojos negros y… soñadores

de mis amores

dueños ellos son.

Ojos que encantan a mi alma

y que dan dulce calma

a mi fiel corazón.



Cuando en su cristal

me suelo mirar

me causa placer,

porque en ellos yo

suelo adivinar

su mucho querer.



Nunca jamás

podré olvidar

la expresión arrobadora

de tu faz.



Como divinos luceros

son tus ojos negros

dignos de admirar,



y por ellos yo me muero

y en sus pestañas quiero

poder siempre besar.

English lyrics of the Tango "Ojos negros"

Dark eyes, oh, so dreamy,
of my beloved,
they are the masters.

Eyes that enchant my soul
and bring sweet calm
to my faithful heart.

When in their glass
I gaze,
it brings me joy,
for in them, I
can sense
their deep affection.

Never ever
will I forget
the captivating expression
of your face.

Like divine shining stars
are your dark eyes
worthy of admiration,

and for them, I die,
and on their lashes, I wish
to always kiss.

Ojos Negros by Pedro Numa Córdoba

Ojos Negros is a Tango written by Pedro Numa Córdoba and composed by Vicente Greco.



Story behind the Tango Ojos Negros

“Ojos Negros,” which translates to “Black Eyes” in English, encapsulates a deeply affectionate and romantic narrative, centered around the enamoring and bewitching effect of a lover’s black eyes. The lyrics express a heartfelt devotion and admiration towards these eyes, which are portrayed as captivating and soothing to the soul and heart of the narrator. The eyes are not just a physical feature but a gateway to understanding the lover’s deep affection, as seen when the narrator looks into these eyes and feels immense pleasure. There’s a yearning to forever cherish and kiss the eyelashes that frame these black eyes, underscoring a deep-seated infatuation.



Symbolism of Ojos Negros

The “black eyes” in the Tango symbolize more than just a physical attribute; they represent a profound emotional gateway to the soul. The repeated reference to the eyes as “dreamy” and having an “enchanting” effect on the soul highlights their power as a metaphor for love and emotional depth. The act of looking into these eyes and feeling immense pleasure, as well as the inability to forget their mesmerizing expression, reinforces their symbolic role as bearers of truth and emotion. This symbolism of the eyes as windows to deeper feelings is a recurring theme in romantic literature and poetry, capturing the intimate connection between the observer and the observed.



Ojos Negros in Historic Context

Created in 1963 in Argentina, “Ojos Negros” emerges during a vibrant era of Tango music, where themes of passion, romance, and longing were predominant. The 1960s were a period marked by significant social and cultural transformations worldwide, and in Argentina, Tango music was a profound expression of personal and collective emotion. The choice of Tango as a genre for conveying deep-seated feelings through “Ojos Negros” reflects its ongoing relevance in Argentine culture as a medium of emotional and artistic expression, resonating with the listener’s own experiences of love and longing.



Pedro Numa Córdoba

Pedro Numa Córdoba was an esteemed Argentine lyricist known for his contributions to the Tango genre, capturing the essence of Argentine passions and sentiments through his work.